To further meet your research needs, the complete issue from this journal is also available for purchase for $46.00 USD.
This issue contains 14 articles in total
- Letter from the Editor
- Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall, Ellen Waterman (review)
- Voicing Girlhood in Popular Music: Performance, Authority, Authenticity ed. by Jacqueline Warwick, Allison Adrian (review)
- “Luck, Classic Coke, and the Love of a Good Man”: The Politics of Hope and AIDS in Two Songs by Michael Callen
- Coco Chanel Said . . .
- Writing Gender Identity through Musical Metaphor in Dorothy L. Sayers’s Gaudy Night
- After Orlando
- (Re)Considering the Priestess: Clara Schumann, Historiography, and the Visual
- A Rondo for the Harp: Sophia Dussek (1775–1847)
- A Lady-in-Waiting’s Account of Marie Antoinette’s Musical Politics: Women, Music, and the French Revolution
- Fort Greene
- “A Dreadful Bit of Silliness”: Feminine Frivolity and Ella Fitzgerald’s Early Critical Reception
- “Votes and Notes”: Exhibiting and Contesting Gender in the Orchestra of the New Zealand and South Seas Exhibition (1889–1890)
- poem for far too many brilliant scholars, not enough of whom are with us today
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