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- Asian Theatre Journal
- University of Hawai'i Press
- Article
- The Hall of Superabundant Blessings: Toward an Architecture of Chinese Ancestral-Temple Theatre Volume 34, Number 2, Fall 2017, pp. 397-415
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This issue contains 22 articles in total
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- Color Insert
- Books Received
- From the Editor
- Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson (review)
- Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki (review)
- Theatre of Dreams, Theatre of Play: Nō and Kyōgen in Japan ed. by Khanh Trinh, and: Traditions Transfigured: The Noh Mask of Bidou Yamaguchi ed. by Kendall H. Brown, and: The Secrets of Noh Masks by Udaka Michishige (review)
- Contemporary Japanese Women's Theatre and Visual Arts: Performing Girls' Aesthetics by Nobuko Anan (review)
- Women in The Shadows: Gender, Puppets, and The Power of Tradition in Bali by Jennifer Goodlander (review)
- Inventing The Performing Arts: Modernity and Tradition in Colonial Indonesia by Matthew Isaac Cohen (review)
- The Royal Temple Theater of Krishnattam by Martha Bush Ashton-Sikora et al. (review)
- Routledge Handbook Of Asian Theatre ed. by Siyuan Liu (review)
- Xiangsi Nostalgia dir. by Lee Hsiao-Ping (review)
- Time's Journey Through a Room dir. by Okada Toshiki/chelfitsch (review)
- Dynamics of Jaipongan on West Java from 1980 to 2010
- Lee Hyon-u's Hamlet Q1 and Pedagogical Performance on the Korean Stage: Textual Identity in Intercultural Theatre
- Zhang Huoding: A Popular Jingju Star with Young Chinese
- The Hall of Superabundant Blessings: Toward an Architecture of Chinese Ancestral-Temple Theatre
- Ritual Liminality and Frame: What Did Barbosa See When He Saw the Theyyam?
- Drenched in Victory, Facing Drought: Staging Transitions in Myanmar's Performing Arts
- Identity Politics in Okinawan Kumiodori: Mekarushi and Hana no Maboroshi (Vision of Flowers)
- A Monk and a Nun Commit a Sin Together: Feng Weimin's Play and Its Three Transformations
- Borrowing the Fan: An Example of Actable Plays (Zhezixi) for the Kunqu Stage
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