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- Digital Price: $19.00 USD (All sales final)
- William Carlos Williams Review
- Penn State University Press
- Article
- Painting Williams, Reading Demuth: “The Great Figure” and I Saw the Figure 5 in Gold Volume 32, Numbers 1-2, 2015, pp. 17-32
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $28.00 USD.
This issue contains 12 articles in total
- Introduction
- Destruction and Universals in William Carlos Williams’s The Wedge
- The Abstract Expressionist Housewife: Fracture, Transposition, Williams and the Three Phases of Modernism
- “There is no thing that with a twist of the imagination cannot be something else”: The Onanistic Abstraction of Duchamp and Williams
- Ecocriticism and the Modern Artist’s Notice of Nature
- The Poem on the Page, or the Visual Poetics of William Carlos Williams
- Improvisation at the Armory Show: An Approach to Understanding Wassily Kandinsky’s Influence on the Writings of William Carlos Williams
- Ways of Seeing Williams’s “Pictures from Brueghel”
- “This Is Just to Say This Is the End of Art: Williams and the Aesthetic Attitude”
- Form and Experience: Williams, Dewey, and the Origins of American Postmodernism
- Painting Williams, Reading Demuth: “The Great Figure” and I Saw the Figure 5 in Gold
- Thin and Tantalizing: The Armory Show at 100
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