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- Asian Theatre Journal
- University of Hawai'i Press
- Review
Saraswati in Bali: A Temple, A Museum, and A Mask by Ron Jenkins (review)
Volume 33, Number 2, Fall 2016, pp. 516-517
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This issue contains 26 articles in total
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- Color Insert
- From the Editor
Performing Asian Transnationalisms: Theatre, Identity, and the Geographies of Performance by Amanda Rogers (review)Akram Khan: Dancing New Interculturalism by Royona Mitra (review)The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater trans. by R. Keller Kimbrough (review)Saraswati in Bali: A Temple, A Museum, and A Mask by Ron Jenkins (review)Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)The Rise of Cantonese Opera by Wing Chung Ng (review)Urban Politics and Cultural Capital: The Case of Chinese Opera by Ma Haili (review)The Metamorphosis of Tianxian Pei: Local Opera Under the Revolution (1946–1956) by Wilt L. Idema (review)Made in Bangladesh (review)- Where Rivers Meet
- Judy Mitoma: Dancing on the Rim of the Pacific
- Diane Daugherty
- Phillip B. Zarrilli
- Elizabeth Wichmann-Walczak
- Adapting Brecht’s The Good Person of Szechwan: Innovative Chuanju and Yueju in China’s Transition
- Reorienting the Gaze in Mei Lanfang’s Lyrical Theatre: Performing Female Interiority
- Korean Trojan Women: Performing Wartime Sexual Violence
- S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange
- Authenticity and Usability, or “Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre
- TIMIZI NU IN (The Bond of Water in Hands): A Kumi odori attributed to Heshikiya Chōbin
- Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa
- Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014)
- Celebration of Life for James R. Brandon
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