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This issue contains 26 articles in total

[ + ] Show Issue Contents
  1. Color Insert
  2. From the Editor
  3. Performing Asian Transnationalisms: Theatre, Identity, and the Geographies of Performance by Amanda Rogers (review)
  4. Akram Khan: Dancing New Interculturalism by Royona Mitra (review)
  5. The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)
  6. Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater trans. by R. Keller Kimbrough (review)
  7. Saraswati in Bali: A Temple, A Museum, and A Mask by Ron Jenkins (review)
  8. Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)
  9. The Rise of Cantonese Opera by Wing Chung Ng (review)
  10. Urban Politics and Cultural Capital: The Case of Chinese Opera by Ma Haili (review)
  11. The Metamorphosis of Tianxian Pei: Local Opera Under the Revolution (1946–1956) by Wilt L. Idema (review)
  12. Made in Bangladesh (review)
  13. Where Rivers Meet
  14. Judy Mitoma: Dancing on the Rim of the Pacific
  15. Diane Daugherty
  16. Phillip B. Zarrilli
  17. Elizabeth Wichmann-Walczak
  18. Adapting Brecht’s The Good Person of Szechwan: Innovative Chuanju and Yueju in China’s Transition
  19. Reorienting the Gaze in Mei Lanfang’s Lyrical Theatre: Performing Female Interiority
  20. Korean Trojan Women: Performing Wartime Sexual Violence
  21. S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange
  22. Authenticity and Usability, or “Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre
  23. TIMIZI NU IN (The Bond of Water in Hands): A Kumi odori attributed to Heshikiya Chōbin
  24. Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa
  25. Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014)
  26. Celebration of Life for James R. Brandon
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