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- Review of Japanese Culture and Society
- University of Hawai'i Press
- Article
- Resources, Scale, and Recognition in Japanese Contemporary Art: “Tokyo Pop” and the Struggle for a Page in Art History Volume 26, December 2014, pp. 135-153
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This issue contains 21 articles in total
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- On the Contributors
- Art in Focus
- From Art and Identity: For Whom, For What? The “Present” Upon the “Contemporary”
- Deactivating the Future: Sawaragi Noi’s Polemical Recoil from Contemporary Art
- A Place to Bury Names, or Resurrection (Circulation and Continuity of Energy) as a Dissolution of Identity: Isamu Noguchi’s Memorial to the Dead of Hiroshima and Shirai Sei’ichi’s Temple Atomic Catastrophes
- The Imagined Map of the Nation: Postwar Japan from 1945 to 1970
- Minor Transnational Inter-Subjectivity in the People’s Art of Kitagawa Tamiji
- From Van Gogh as Intellectual History: The Reception of Reproductions and Imagination
- From Temple of the Eye – Notes on the Reception of “Fine Art”
- Fukuhara Shinzō and the “Japanese” Pictorial Aesthetic
- Reality Within and Without: Surrealism in Japan and China in the Early 1930s
- From The Sideshow Called Fine Art
- Four Projects
- Resources, Scale, and Recognition in Japanese Contemporary Art: “Tokyo Pop” and the Struggle for a Page in Art History
- From The Representation of “Japan” in Wartime World’s Fairs Modernists and “Japaneseness”
- From The Sea Beyond: Hōsui, Seiki, Tenshin, and the West Sea of Hybridization: In Dispute over Urashima
- A “Pirates’ View” of Art History
- Pictures of Beautiful Women: A Modern Japanese Genre and Its Counterparts in Europe, China, Korea, and Vietnam
- Picasso as Other—Koyama Fujio and the Polemics of Postwar Japanese Ceramics
- Six Episodes of Convergence Between Indian, Japanese, and Mexican Art from the Late Nineteenth Century to the Present
- Commensurable Distinctions: Intercultural Negotiations of Modern and Contemporary Japanese Visual Culture
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