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This issue contains 36 articles in total

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  1. Books Received
  2. Introduction: Women in Asian Theatre: Conceptual, Political, and Aesthetic Paradigms
  3. From the Editor
  4. Heirs to World Culture: Being Indonesian, 1950–1965 ed. by Jennifer Lindsay and Maya H. T. Liem (review)
  5. The Dance that Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia by Rachmi Diyah Larasati (review)
  6. Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam by Katherine C. Zubko (review)
  7. Globalization, Nationalism and the Text of Kichaka-Vadha: The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India. Rakesh Solomon (review)
  8. Indian Modern Dance, Feminism, and Transnationalism by Prarthana Purkayastha (review)
  9. The Natyasastra and the Body in Performance: Essays on Indian Theories of Dance and Drama ed. by Sreenath Nair (review)
  10. Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
  11. The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)
  12. Contemporary Indian Dance: New Creative Choreography in India and the Diaspora by Ketu H. Katrak (review)
  13. The Colonial Staged: Theatre in Colonial Calcutta by Sudipto Chatterjee (review)
  14. Terror and Performance by Rustom Bharucha (review)
  15. Henry Black: On Stage in Meiji Japan by Ian McArthur (review)
  16. The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and love in four Plays of the 18th and 19th Centuries by Stanleigh H. Jones (review)
  17. The Columbia Anthology of Yuan Drama ed. by C. T. Hsia, Wai-Yee Li, and George Kao (review)
  18. Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China by Rossella Ferrari (review)
  19. The Happy Hsiungs: Performing China and the Struggle for Modernity by Diana Yeh (review)
  20. Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)
  21. In Transit: The Formation of the Colonial East Asian Cultural Sphere by Faye Yuan Kleeman (review)
  22. Rulan Chao Pian 卞赵如兰 (1922–2013)
  23. Twenty Years of Suasana: Producing Malay Dance-Drama
  24. Not-Feminism: A Discourse on the Politics of a Term in Modern Indian Theatre
  25. Masks of Sumatra
  26. Much Ado About Nothing dir. by Iqbal Khan (review)
  27. A Fairy in the Wall dir. by Sohn Jin-chaek (review)
  28. Taiwanese Jingju Performances Featuring Women’s Writing: Meng Xiaodong and The Ghostdom River
  29. Pritham Chakravarthy: Performing Aravanis’ Life Stories
  30. Women in Revolutionary Theatre: IPTA, Labor, and Performance
  31. Women in Indian Puppetry: Negotiating Traditional Roles and New Possibilities
  32. Women in Balinese Topeng: Voices, Reflections, and Interactions
  33. From Private Zashiki to the Public Stage: Female Spaces in Early Twentieth-Century
  34. Lokhon Luang, the Cambodian Court Theatre: Toward a Decline of Women’s Supremacy?
  35. Onna Mono: The “Female Presence” on the Stage of the All-Male Traditional Japanese Theatre
  36. The Ronggeng, the Wayang, the Wali, and Islam: Female or Transvestite Male Dancers-Singers-Performers and Evolving Islam in West Java
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