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- Digital Price: $19.00 USD (All sales final)
- Women and Music: A Journal of Gender and Culture
- University of Nebraska Press
- Article
- Where Is the Jazz in Jazzercise? Volume 19, 2015, pp. 18-26
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $46.00 USD.
This issue contains 26 articles in total
- Contributors
- DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music ed. by Bernardo Attias, Anna Gavanas, and Hillegonda Rietveld (review)
- Music and the Skillful Listener: American Women Compose the Natural World by Denise Von Glahn (review)
- Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen by Sherrie Tucker (review)
- The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)
- Ethnomusicology without Erotics
- Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm
- Down with Disembodiment; or, Musicology and the Material Turn
- Loud but Non-lethal: Acoustic Stagings and State-Sponsored Violence
- Echo’s Echo: Subjectivity in Vibrational Ontology
- The Sounds That Know: Synaesthesia, Sexual Trauma, and a Musicological Confession
- Rethinking the Intimacy of Voice and Ear: Psychoanalysis and Genital Massage as Treatments for Hysteria
- Why We Matter
- Asking for It: Rape, Postfeminism, and Alternative Music in the 1990s
- “The Young Ladies Are Here”: Marshallese Transgender Performance and Processes of Transformation
- Doin’ Time with Meg and Cris, Thirty Years Later: The Queer Temporality of Pseudonostalgia
- National Mothers: Singing a Queer Family Romance for the New South Africa
- “Jolene,” Genre, and the Everyday Homoerotics of Country Music: Dolly Parton’s Loving Address of the Other Woman
- The Rock and Roll Blues: Gender, Race, and Genre in the Songwriting Career of Rose Marie McCoy
- Stage Sisters: Gemma Bellincioni’s Violetta and Eleonora Duse’s Margherita
- Singers Behaving Badly: Rivalry, Vengeance, and the Singers of Cardinal Antonio Barberini
- Voce Bianca: Purity and Whiteness in British Early Music Vocality
- “I Am Not Sure We Should Have a Woman in the Position”: Hiring Practices in the Mid-Twentieth-Century American Academy
- Where Is the Jazz in Jazzercise?
- One Eyebrow Raised: A Recipe for Movement and Sound
- On a Lesbian Relationship with Musicology: Suzanne G. Cusick, Sound Effects
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