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- Digital Price: $16.00 USD (All sales final)
- Asian Theatre Journal
- University of Hawai'i Press
- Article
- From the Editor Volume 32, Number 1, Spring 2015, pp. iii-iv
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.
This issue contains 23 articles in total
- Color Insert
- Books Received
- Kōji (Three Tangerines): A Kyōgen from the Ōkura School, Introduction and Translation
- From the Editor
- Captive Audiences/Captive Performers: Music and Theatre as Strategems for Survival on the Thai-Burma Railway 1942–1945 by Sears A. Eldredge (review)
- Korean P’ansori Singing Tradition: Development, Authenticity, and Performance History by Yeonok Jang, and: Korean Musical Drama: P’ansori and the Making of Tradition in Modernity by Haekyung Um (review)
- Recollecting Resonances: Indonesian-Dutch Musical Encounters ed. by Bart Barendregt and Els Bogaerts (review)
- Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
- Performing Hybridity in Colonial-Modern China by Siyuan Liu (review)
- On Wayang: My Life with Shadows dir. by Larry Reed and Gina Liebrecht (review)
- Lift: Love is Flower the dir. by Jeff Chen (review)
- Chinese Shadow Puppetry’s Changing Apprentice System: Questions of Continuance and a Survey of Remaining Shadow Puppet Practitioners in Mainland China, 2008–2013
- Decoding Kuo Pao Kun: A Close Reading of No Parking on Odd Days and The Coffin Is Too Big for the Hole
- The Gaps between Us: Multilingualism and Immigration in Alfian Sa’at’s Cook a Pot of Curry
- Pardeh Khani: A Dramatic Form of Storytelling in Iran
- Uses of the Sampur in the Halus (Refined) Style of Yogyakarta Court Dance
- The Popular Itinerant Theatre of Maharashtra, 1843–1880
- The Impossibility of Being Taiwanese in Chi Wei-jan’s Utopia Ltd.
- Forgiving Thị Mầu, a Girl Who Dared to Defy: Performance Change and Chèo Theatre in Northern Vietnam
- Three Relations between History and Stage in the Kunju Scene Slaying the Tiger General
- An Activist Engaged in the Process of “Guilt to Responsibility”: Revisiting the Remains of Badal Sircar in Bangladesh
- “Beneath the Surface” of Told by the Wind: An Intercultural Experiment in Performance Dramaturgy and Aesthetics
- Manzai Tichiuchi (Vendetta of Performers of “Myriad-Year” Felicity): A Kumi Odori by Tasato Chōchoku, as Staged by Kin Ryōshō in 1982
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