Checkout

Would you like to upgrade your purchase to the complete digital issue?

To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.

This issue contains 23 articles in total

[ + ] Show Issue Contents
  1. Color Insert
  2. Books Received
  3. Kōji (Three Tangerines): A Kyōgen from the Ōkura School, Introduction and Translation
  4. From the Editor
  5. Captive Audiences/Captive Performers: Music and Theatre as Strategems for Survival on the Thai-Burma Railway 1942–1945 by Sears A. Eldredge (review)
  6. Korean P’ansori Singing Tradition: Development, Authenticity, and Performance History by Yeonok Jang, and: Korean Musical Drama: P’ansori and the Making of Tradition in Modernity by Haekyung Um (review)
  7. Recollecting Resonances: Indonesian-Dutch Musical Encounters ed. by Bart Barendregt and Els Bogaerts (review)
  8. Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
  9. Performing Hybridity in Colonial-Modern China by Siyuan Liu (review)
  10. On Wayang: My Life with Shadows dir. by Larry Reed and Gina Liebrecht (review)
  11. Lift: Love is Flower the dir. by Jeff Chen (review)
  12. Chinese Shadow Puppetry’s Changing Apprentice System: Questions of Continuance and a Survey of Remaining Shadow Puppet Practitioners in Mainland China, 2008–2013
  13. Decoding Kuo Pao Kun: A Close Reading of No Parking on Odd Days and The Coffin Is Too Big for the Hole
  14. The Gaps between Us: Multilingualism and Immigration in Alfian Sa’at’s Cook a Pot of Curry
  15. Pardeh Khani: A Dramatic Form of Storytelling in Iran
  16. Uses of the Sampur in the Halus (Refined) Style of Yogyakarta Court Dance
  17. The Popular Itinerant Theatre of Maharashtra, 1843–1880
  18. The Impossibility of Being Taiwanese in Chi Wei-jan’s Utopia Ltd.
  19. Forgiving Thị Mầu, a Girl Who Dared to Defy: Performance Change and Chèo Theatre in Northern Vietnam
  20. Three Relations between History and Stage in the Kunju Scene Slaying the Tiger General
  21. An Activist Engaged in the Process of “Guilt to Responsibility”: Revisiting the Remains of Badal Sircar in Bangladesh
  22. “Beneath the Surface” of Told by the Wind: An Intercultural Experiment in Performance Dramaturgy and Aesthetics
  23. Manzai Tichiuchi (Vendetta of Performers of “Myriad-Year” Felicity): A Kumi Odori by Tasato Chōchoku, as Staged by Kin Ryōshō in 1982
Purchase Complete Digital Issue
OR   continue with digital Article purchase below

In order to purchase digital content, you must be logged into your MyMUSE account.

Cancel  

For questions, please see Purchasing MUSE Content

Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.