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Journal of Austrian Studies cover
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This issue contains 21 articles in total

[ + ] Show Issue Contents
  1. Contributors
  2. A Very Little Woman by Peter Henisch (review)
  3. Modern Austrian Prose Vol. II: Interpretations and Insights by Paul F. Dvorak (review)
  4. Cinema and Social Change in Germany and Austria ed. by Gabriele Mueller and James M. Skidmore (review)
  5. Zwischen Aufbegehren und Anpassung: Poetische Figurationen von Generationen und Generationserfahrungen in der österreichischen Literatur ed. by Joanna Drynda (review)
  6. World Film Locations: Vienna ed. by Robert Dassanowsky (review)
  7. Daniel Kehlmann und die lateinamerikanische Literatur by Joachim Rickes (review)
  8. Burgtheater 1976–2009: Aufführungen und Besetzungen ed. by Katharina Fundulus (review)
  9. Das Leben ein Spiel, die Welt ein Theater: Spielformen des Welttheaters in den dramatischen Werken Samuel Becketts und Thomas Bernhards by Tine Koch (review)
  10. Die Radiofamilie by Ingeborg Bachmann (review)
  11. Nostalagia After Nazism: History, Home, and Affect in German and Austrian Literature and Film by Heidi Schlipphacke (review)
  12. Reports on Austrian Writers in 1945 and Lectures in American Exile by Raoul Auernheimer (review)
  13. Stefan Zweig, “Ich wünschte, dass ich Ihnen ein wenig fehlte”: Briefe an Lotte Zweig 1934–1940 by Oliver Matuschek, Hrsg (review)
  14. The World as Metaphor in Robert Musil’s The Man without Qualities: Possibility as Reality by Genese Grill (review)
  15. Auf Rilkes Wegen by Barbara L. Surowska (review)
  16. Franz Kafkas Handschrift zum Schloss by Matthias Schuster (review)
  17. “Als Wildwuchs der Mehrheitssprache”: Interview with Author Maja Haderlap
  18. “Das wahre Programm der Zeit hieß: Jazz”: Zum Stellenwert des Jazz als (musik)kulturelle und literarische Chiffre in der österreichischen Zwischenkriegszeit
  19. From the Island of the Blessed to Hades: Transforming Austria’s Global Image in Gerhard Roth’s Orkus
  20. From Purkersdorf to Peking: Tourism and Globalization in Ingeborg Bachmann’s Malina and Elfriede Jelinek’s Gier
  21. Through Romanticism’s Looking Glass: Nostalgia, Taboos, and Cinematic Exorcisms in Josef Winkler’s The Cinemascreenwalker
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