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- Asian Theatre Journal
- University of Hawai'i Press
- Article
- Dama Orchestra’s Shidaiqu Recontextualized in Theatre Volume 31, Number 2, Fall 2014, pp. 558-573
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.
This issue contains 24 articles in total
- Color Insert
- Introduction: Global Encounters in Southeast Asian Performing Arts
- From the Editor
- Shadow Woman: The Extraordinary Career of Pauline Benton by Grant Hayter-Menzies (review)
- Another Stage: Kanze Nobumitsu and the Late Muromachi Noh Theater by Lim Beng Choo (review)
- Supernatural Beings from Japanese Noh Plays of the Fifth Group: Parallel Translations with Running Commentary by Chifumi Shimazaki and Stephen Comee (review)
- Hijikata: Revolt of the Body by Stephen Barber (review)
- Dramatic Action in Greek Tragedy and Noh: Reading with and Beyond Aristotle by Mae J. Smethurst (review)
- South Asian Festivals on the Move ed. by Ute Hüsken Axel Michaels (review)
- A Continuous Revolution: Making Sense of Cultural Revolution Culture by Barbara Mittler (review)
- Double Nora by Ueda Kuniyoshi, Mori Mitsuya, and Tsumura Reijirō (review)
- Frank Hoff (1932–2013)
- Lighting Spectacles in East and Southeast Asia
- Whither Rama in the Clear-Cut Forest: Ecodramaturgy in Southeast Asia
- Dama Orchestra’s Shidaiqu Recontextualized in Theatre
- To Randai or Not to Randai
- From Ritual Form to Tourist Attraction: Negotiating the Transformation of Classical Cambodian Dance in a Changing World
- Contemporary Wayang Beber in Central Java
- Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture
- Looking to the Future: Training a New Generation for Balinese Arja
- Buddhism and Thai Comic Performance
- Seri Wangnaitham’s Phuchanasibtid and the Modernization of Thai Traditional Theatre
- Filipino Folk Dance in the Academy: Embodied Research in the Work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze
- No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds
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