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- Western American Literature
- University of Nebraska Press
- Review
- Women Who Live in Coffee Shops and Other Stories by Stella Pope Duarte, and: The Block Captain’s Daughter by Demetria Martínez (review) Volume 49, Number 1, Spring 2014, pp. 128-131
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $28.50 USD.
This issue contains 21 articles in total
- Contributors
- From the Editor
- South by Southwest: Katherine Anne Porter and the Burden of Texas History by Janis Stout (review)
- Hell of a Vision: Regionalism and the Modern American West by Robert L. Dorman (review)
- Keeping the Swarm: New and Selected Essays by George Venn (review)
- Reclaiming Nostalgia: Longing for Nature in American Literature by Jennifer K. Ladino (review)
- History of the Gothic: American Gothic by Charles L. Crow (review)
- The Old Man’s Love Story by Rudolfo Anaya (review)
- Women Who Live in Coffee Shops and Other Stories by Stella Pope Duarte, and: The Block Captain’s Daughter by Demetria Martínez (review)
- House under the Moon by Michael Sowder (review)
- The Days Are Gods by Liz Stephens (review)
- So Far So Good by Ralph Salisbury (review)
- Domestic Subjects: Gender, Citizenship, and Law in Native American Literature by Beth H. Piatote (review)
- Smoke Signals: Native Cinema Rising by Joanna Hearne (review)
- Trans-Indigenous: Methodologies for Global Native Literary Studies by Chadwick Allen, and: The Transit of Empire: Indigenous Critiques of Colonialism by Jodi A. Byrd, and: A Separate Country: Postcoloniality and American Indian Nations by Elizabeth Cook-Lynn (review)
- It’s a Good Day to Bike: Indigenous Futures in Ramona Emerson’s Opal
- “Just by Doing It, We Made It Appear”: Dustinn Craig on We Shall Remain: Geronimo, 4wheelwarpony, and the Apache Scouts Project
- “This Is Our Playground”: Skateboarding, diy Aesthetics, and Apache Sovereignty in Dustinn Craig’s 4wheelwarpony
- The End (of the Trail) Is the Beginning: Stephen Graham Jones’s The Bird Is Gone
- The Significance of the Frontier in Comanche Poetry
- Indigenous Wests: Literary and Visual Aesthetics
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