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- Asian Theatre Journal
- University of Hawai'i Press
- Article
- Suzuki Tadashi’s La Dame aux Camélias in Taiwan Volume 31, Number 1, Spring 2014, pp. 228-241
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This issue contains 29 articles in total
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- Color Insert
- From the Editor
- Crucible Bodies: Postwar Japanese Performance from Brecht to the New Millennium by Tadashi Uchino (review)
- Inexorable Modernity: Japan’s Grappling with Modernity in the Arts Edited by Hiroshi Nara (review)
- Stars of the Tokyo Stage: Natori Shunsen’s Kabuki Actor Prints by Lucie Folan (review)
- Eternal Performance: Ta’ziyeh and Other Shiite Rituals Edited by Peter Chelkowski (review)
- Singing Emptiness: Kumar Gandharva Performs the Poetry of Kabir by Linda Hess (review)
- Hindi Theatre in Kolkata: Shyamanand Jalan and his Times Edited by Pratibha Agarwal and Samik Bandyopadhyay (review)
- Andha Yug: The Age of Darkness by Dharamvir Bharati (review)
- Strange Eventful Histories: Identity, Performance, and Xu Wei’s Four Cries of a Gibbon by Shiamin Kwa (review)
- Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan (review)
- Opera and the City: The Politics of Culture in Beijing, 1770–1900 by Andrea S. Goldman (review)
- Moni Mekhala and Ream Eyso Edited by Prumsodun Ok (review)
- Imaging Dance: Visual Representations of Dancers and Dancing Edited by Barbara Sparti and Judy Van Zile (review)
- Out! Loud! Directed by Betty Bernhard (review)
- Tanvir ka Safarnama (Tanvir’s Travelogue) directed by Ranjan Kamath (review)
- Karnnaparithyagam (The Abandoning of Karna) by Sadanam K. Harikumaran (review)
- Reconstructing Memory, Constructing the Future: An Interview with PM Toh
- The Legend of Apsara Mera: Princess Norodom Buppha Devi’s Choreography for the Royal Ballet of Cambodia
- Tibetan Opera in and outside the Tibet Autonomous Region
- River! River! River! A Minjian Eco-Theatre
- Suzuki Tadashi’s La Dame aux Camélias in Taiwan
- Pure Love and Beyond: Suzuki Tadashi’s Use of Taiwanese Popular Music in La Dame aux Camélias (2011)
- Mutual Illumination: The Xinggan Dramas and the Fanjiulou Ritual of Yongkang, Zhejiang
- Socialist Realism and New Subjectivities: Modern Acting in Gao Xingjian’s Cold Theatre
- Innovation in Nō: Matsui Akira Continues a Tradition of Change
- “Democratic Kabuki” for a “Democratic Japan”: 1945–1946
- Chong Wishing’s Yakiniku Dragon 焼き肉ドラゴン: A Portrait of the Zainichi Korean-Japanese Experience
- Beate Sirota Gordon: Producing Performance at the Asia Society
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