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- Digital Price: $5.00 USD (All sales final)
- CR: The New Centennial Review
- Michigan State University Press
- Article
- Aesthetics, Politics and Event: Borges’s “El fin,” the Argentine Tradition and Death Volume 14, Number 1, Spring 2014, pp. 25-46
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.
This issue contains 14 articles in total
- Contributors
- Editors’ Note
- The Boundaries Between Philosophy and Literature: A Response to Elizabeth Millán and Amy Oliver
- Toward an Appreciation of Latin American Philosophy: Jorge J. E. Gracia’s Recovery Mission
- We Have Good Reasons for This (And They Keep Coming): Revolutionary Drive and Democratic Desire
- Beyond Inquisitional Logic, or, Toward an An-archaeological Latin Americanism
- Cowardice—An Alibi: On Prudence and Senselessness
- Juan Gelman’s Open Letters: Mourning and Mundo Beyond Militancy
- On Loss and Not Losing It: Neruda, Mistral, and Zurita in the Postdictatorship
- A Weak Force: On the Chilean Dictatorship and Visual Arts
- Memory and Fragility: Art’s Resistance to Oblivion (Three Colombian Cases)
- Procedures for Drawing the Event of the Indians: On Aira’s An Episode in the Life of a Landscape Painter
- Aesthetics, Politics and Event: Borges’s “El fin,” the Argentine Tradition and Death
- Ungrounding the Nation: A Reading of Juan José Saer’s Nobody Nothing Ever (Nadie nada nunca)
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