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- Asian Theatre Journal
- University of Hawai'i Press
- Article
- Hakka Female Identity in Postcolonial Taiwan: The Shigang Mama Theatre Group and Images of Hakka Women Volume 30, Number 2, Fall 2013, pp. 445-465
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.
This issue contains 26 articles in total
- Color Insert
- Founders of the Field II: Introduction
- From the Editor
- Seven Contemporary Plays for the Korean Diaspora in the Americas ed. by Esther Kim Lee (review)
- Japanese Theatre Transcultural: German and Italian Interweavings ed. by Stanca Scholz-Cionca and Andreas Regelsberger (review)
- Tokyo Theatre Today: Conversations with Eight Emerging Theatre Artists by Iwaki Kyoko (review)
- Théâtre d’Asie à l’oeuvre. Circulation, Expression, Politique ed. by Hélène Bouvier, Gérard Toffin, and Gérard Toffin (review)
- Magic Mirror: The Musical (review)
- Lear Dreaming (review)
- The Next by Hands Percussion (review)
- Tibet Performance, Past and Present: Multidisciplinary Avenues of Research
- Anthologizing Indonesian Popular Theatre
- An Interview with Mangai
- Late Muromachi and Furyū Nō: Two Plays by Kanze Nagatoshi
- Hakka Female Identity in Postcolonial Taiwan: The Shigang Mama Theatre Group and Images of Hakka Women
- The Silenced Body of The Silent Soprano: The Overseas Filipino Worker as Silent and Erased in a Global City
- Enchanting the Audience: Dramatic Devices of Sakura Mask Theatre in West Lampung, Sumatra
- The “Broken” and the “Breakthroughs”: Acting in Jingju Model Plays of China’s Cultural Revolution
- Some Personal Recollections of Benito Ortolani
- Benito Ortolani
- David Goodman
- I Made Bandem
- Daniel S. P. Yang
- Farley Richmond
- Richard Schechner
- A Kabuki Innovator, Nakamura Kanzaburō XVIII, Dies Too Young: Where Does Kabuki Go from Here?
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