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This issue contains 23 articles in total

[ + ] Show Issue Contents
  1. Color Insert
  2. From the Editor
  3. Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits by Bruce Baird (review)
  4. Sounding Like Shakespeare: A Study of Prosody in Four Japanese Translations of A Midsummer Night's Dream by Daniel Gallimore (review)
  5. Enter a Samurai: Kawakami Otojirō and Japanese Theatre in the West by Joseph L. Anderson (review)
  6. Histoire du Théâtre Classique Japonais by Jean-Jacques Tschudin (review)
  7. Critical Essay on British South Asian Theatre ed. by Graham Ley and Sarah Dadswell (review)
  8. British South Asian Theatres: A Documented History by Graham Ley and Sarah Dadswell (review)
  9. A History of the Jana Natya Manch: Plays for the People by Arjun Ghosh (review)
  10. Between Fame and Shame: Performing Women—Women Performers in India (review)
  11. Unfinished Gestures: Devadasis, Memory, and Modernity in South India by Davesh Soneji (review)
  12. Invoking Happiness: Guide to the Sacred Festivals of Bhutan and Gross National Happiness by Khenpo Phuntsok Tashi (review)
  13. Communities of Imagination: Contemporary Southeast Asian Theatres by Catherine Diamond (review)
  14. A Celebration of Gamelan Sekar Petak's Thirtieth Anniversary and of the British Gamelan Scene: Wayang Lokananta: The Gamelan of the Gods. University of York, Department of Music, 26-28 April 2012. York, United Kingdom.
  15. Suzuki Tadashi's Intercultural Progress in South Korea
  16. Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic
  17. Dreamers' Nightmare: The Melancholia of the Taiwanese Centennial Celebration
  18. The Politics of Difference in Krishen Jit's Theatre in the 1970s: "A Time of Intense Questioning" in Malaysian Culture
  19. Bangsawan: Creative Patterns in Production
  20. Politics and Theatre in the PRC: Fifty Years of Teahouse on the Chinese Stage
  21. Yeonwoo Mudae and the Korean Theatre Movement in the 1980s
  22. Zeami's Confucian Theatre
  23. The Case of Princess Baihua: State Diplomatic Functions and Theatrical Creative Process in China in the 1950s and 1960s
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