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- Biography
- University of Hawai'i Press
- Review
- The Voices of Gemma Galgani: The Life and Afterlife of a Modern Saint (review) Volume 26, Number 4, Fall 2003, pp. 769-771
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This issue contains 28 articles in total
[ + ] Show Issue Contents
- Contributors
- Editors' Note
- Index: Volume 26, 2003
- Lifelines
- Reviewed Elsewhere
- The Last Revolutionaries: German Communists and Their Century (review)
- Age, Narrative and Migration: The Life Course and Life Histories of Bengali Elders in London (review)
- The Voices of Gemma Galgani: The Life and Afterlife of a Modern Saint (review)
- Awakening Lives: Autobiographies of Jewish Youth in Poland before the Holocaust (review)
- This Stubborn Self: Texas Autobiographies, 1925-2001 (review)
- Monuments and Memory: History and Representation in Lowell, Massachusetts (review)
- Trading Gazes: Euro-American Women Photographers and Native North Americans, 1880-1940 (review)
- Holy Boldness: Women Preachers' Autobiographies and the Sanctified Self (review)
- The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History (review)
- King of the Mountain: The Nature of Political Leadership (review)
- Topologies of Trauma: Essays on the Limit of Knowledge and Memory (review)
- Images du mythe, images du moi: Mélanges offerts à Marie Miguet-Ollagnier (review)
- Romantic Biography (review)
- Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550-1800 (review)
- Women, Death and Literature in Post-Reformation England (review)
- Questions of Power: The Politics of Women's Madness Narratives (review)
- Women's Oral History: The 'Frontiers' Reader (review)
- Mirages of the Selfe: Patterns of Personhood in Ancient and Early Modern Europe (review)
- The Situation and the Story: The Art of Personal Narrative (review)
- Interfaces: Women/Autobiography/Image/Performance (review)
- Annual Bibliography of Works about Life Writing, 2002-2003
- Popular Autobiography as Historiography: The Reality Effect of Frank McCourt's Angela's Ashes
- Autobiography as Dissidence: Subjectivity, Sexuality, and the Women's Co-operative Guild
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