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This issue contains 32 articles in total

[ + ] Show Issue Contents
  1. Color Insert
  2. From the Editor
  3. The Columbia Anthology of Chinese Folk and Popular Literature (review)
  4. Eurasian Theatre: Dance and Performance Between East and West from Classical Antiquity to the Present (review)
  5. Choreographing Asian America (review)
  6. The Day the Dancers Stayed: Performing in the Filipino/American Diaspora (review)
  7. The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs (review)
  8. A Beggar's Art: Scripting Modernity in Japanese Drama, 1900-1930 (review)
  9. An Anthology of Nagauta (review)
  10. Butoh: Metamorphic Dance and Global Alchemy (review)
  11. Inside the Puppet Box: Performance Collection of Wayang Kulit at The Museum of International Folk Art (review)
  12. Rua Bineda in Bali: Counterfeit Justice in the Trial of Nyoman Gunarsa (review)
  13. Erotic Triangles: Sundanese Dance and Masculinity in West Java (review)
  14. Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (review)
  15. The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (review)
  16. The Narrative Arts of Tianjin: Between Music and Language (review)
  17. Kutiyattam Festival (Kutiyattam Mahotsavam) (review)
  18. Chushyeoyo, and: Good Pan (review)
  19. Everyday Flamboyancy in Chennai's Sabha Theatre
  20. Personal Sorrow: Cải Lương and the Politics of North and South Vietnam
  21. Negotiating Class, Taste, and Culture via the Arts Scene in Singapore: Postcolonial or Cosmopolitan Global?
  22. Han-Tang Zhongguo Gudianwu and the Problem of Chineseness in Contemporary Chinese Dance: Sixty Years of Creation and Controversy
  23. Chinese Chuanqi Opera in English: Directing The West Wing with Modern Music
  24. Singing in the Workplace: Salarymen and Amateur Performance
  25. A Vaishnava Theatrical Performance in Nepal: The Kāttī-pyākhã of Lalitpur City
  26. Reflections on the Onnagata
  27. Is the Onnagata Necessary?
  28. Gender, Tradition, and Culture in Translation: Reading the Onnagata in English
  29. An Interview with Poile Sengupta
  30. Gender, Power, and Puppets: Two Early Women Dalangs in Bali
  31. How Not to Act like a Woman: Gender Ideology and Humor in West Java, Indonesia
  32. Female Roles and Engagement of Women in the Classical Sanskrit Theatre Kūṭiyāṭṭam: A Contemporary Theatre Tradition
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