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- Digital Price: $12.00 USD (All sales final)
- The Southern Literary Journal
- The University of North Carolina Press
- Article
- Slavery Through the White-Tinted Lens of an Embedded Black Narrator: Séjour’s “The Mulatto” and Chesnutt’s “Dave’s Neckliss” as Intertexts Volume 44, Number 1, Fall 2011, pp. 121-143
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $29.00 USD.
This issue contains 13 articles in total
- Contributors
- African American Literature and the Nineteenth-Century South
- Queering the South: The Plantation as Homotopia
- Death in Knoxville
- Our South or Theirs?
- Slavery Through the White-Tinted Lens of an Embedded Black Narrator: Séjour’s “The Mulatto” and Chesnutt’s “Dave’s Neckliss” as Intertexts
- Kate Chopin’s Narrative Techniques and Separate Space in The Awakening
- Designing Sutpen: Narrative and Its Relationship to Historical Consciousness in Faulkner’s Absalom, Absalom!
- “And every day there is music”: Folksong Roots and the Highway Chain Gang in The Ballad of the Sad Café
- “A Coin for a Closed Eye”: Pound’s Influence on Wright’s “Appalachian Book of the Dead”
- The Implications of “Chosenness”: Unsettling the Exodus Narrative as a Model for Black Liberation in Randall Kenan’s A Visitation of Spirits
- Hellhound on His Trail: Faulknerian Blood-guilt and the Traumatized Form of Lewis Nordan’s Wolf Whistle
- A Demonic Parody: Toni Morrison’s A Mercy
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