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- Digital Price: $16.00 USD (All sales final)
- Asian Theatre Journal
- University of Hawai'i Press
- Review
- Cambodian Dance: Celebration of the Gods (review) Volume 28, Number 1, Spring 2011, pp. 272-275
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $25.00 USD.
This issue contains 22 articles in total
- Color Insert
- From the Editor
- Danjūrō's Girls: Women on the Kabuki Stage (review)
- Cambodian Dance: Celebration of the Gods (review)
- Shakespeare in Asia: Contemporary Performance (review)
- Shakespeare in Hollywood, Asia, and Cyberspace (review)
- Yi Sang Counts to Thirteen (review)
- Tempesutu arashi nochi hare (The Tempest: Sunshine after the Storm) (review)
- Imagining China: The View from Europe, 1550-1700 (review)
- Global Shakespeares and Shakespeare Performance in Asia: Open-Access Digital Video Archives
- Ku Na'uka's Hamlet in Tokyo: An Interview with Miyagi Satoshi
- A Bangzi Merchant of Venice in Taipei: Yue/Shu (Bond)
- Another Midsummer Night's Dream in Ho Chi Minh City
- King Lear in Beijing and Hong Kong
- Political Theatre: The Rise and Fall of Rome and The Sword of Freedom, Two Translations of Julius Caesar in Meiji Japan by Kawashima Keizō and Tsubouchi Shōyō
- Cultural Imperialism and Intercultural Encounter in Merchant Ivory's Shakespeare Wallah
- Otelo, Intercultural Spectatorship, and Ocular Proof
- Shamanism in Korean Hamlets since 1990: Exorcising Han
- "Ancestral Shades": The Arti Foundation and the Practice of Pelestarian in Contemporary Bali
- Toward a Poetic Minimalism of Violence: On Tang Shu-wing's Titus Andronicus 2.0
- Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo)
- Asian Shakespeare 2.0
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