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This issue contains 30 articles in total

[ + ] Show Issue Contents
  1. Editor's Note
  2. Two Men (review)
  3. Ramona (review)
  4. On the Divide: The Many Lives of Willa Cather (review)
  5. Modernism and Mildred Walker (review)
  6. African, Native, and Jewish American Literature and the Reshaping of Modernism (review)
  7. New Women Dramatists in America, 1890-1920 (review)
  8. The Cambridge Companion to Kate Chopin (review)
  9. "They Say": Ida B. Wells and the Reconstruction of Race (review)
  10. The Harriet Jacobs Family Papers (review)
  11. Emily Dickinson's Correspondences: A Born-Digital Textual Inquiry (review)
  12. Scare Tactics: Supernatural Fiction by American Women (review)
  13. Teaching Nineteenth-Century American Poetry (review)
  14. Freedom's Empire: Race and the Rise of the Novel in Atlantic Modernity, 1640–1940 (review)
  15. The Correspondence of Edith Wharton and Macmillan, 1901-1930, and: Edith Wharton and the Conversations of Literary Modernism (review)
  16. Seeing Red: Anger, Sentimentality, and American Indians, and: Moving Encounters: Sympathy and the Indian Question in Antebellum Literature (review)
  17. The Many Faces of Margaret Fuller
  18. Excerpt from A Woman Tenderfoot
  19. Grace Gallatin Thompson Seton (1872-1959)
  20. Excerpt from Guenn: A Wave on the Breton Coast
  21. Blanche Willis Howard (1847-1898)
  22. Hanging Out: A Research Methodology
  23. Death-Defying Testimony: Women's Private Lives and the Politics of Public Documents
  24. "Sojourners in the Archive": Reflections on the Art of Recovery Work
  25. "Other People's Clothes": Homosociality, Consumer Culture, and Affective Reading in Edith Wharton's Summer
  26. Linguistic Regionalism and the Emergence of Chinese American Literature in Sui Sin Far's "Mrs. Spring Fragrance"
  27. Elizabeth Stuart Phelps, Trixy, and the Vivisection Question
  28. "What did you mean?": Marriage in E. D. E. N. Southworth's Novels
  29. "How I Look": Fanny Fern and the Strategy of Pseudonymity
  30. "Let no man know": Negotiating the Gendered Discourse of Affliction in Anne Bradstreet's "Here Followes Some Verses Upon the Burning of Our House, July 10th, 1666"
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