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- Victorian Poetry
- Johns Hopkins University Press
- Article
- Slaves in Heaven, Laborers in Hell: Chartist Poets' Ambivalent Identification with the (Black) Slave Volume 39, Number 2, Summer 2001, pp. 137-163
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $30.00 USD.
This issue contains 12 articles in total
- Contributors
- "Every Man Who Is Hanged Leaves a Poem": Criminal Poets in Victorian Street Ballads
- Ebenezer Elliott and the Reconstruction of Working-Class Masculinity
- "Eawr Folk": Language, Class, and English Identity in Victorian Dialect Poetry
- The "Homely Muse" in Her Diurnal Setting: The Periodical Poems of "Marie," Janet Hamilton, and Fanny Forrester
- Of "Haymakers" and "City Artisans": The Chartist Poetics of Eliza Cook's Songs of Labor
- Class and Poetic Communities: The Works of Ellen Johnston, "The Factory Girl"
- "In louring Hindostan": Chartism and Empire in Ernest Jones's The New World, A Democratic Poem
- Sedition, Chartism, and Epic Poetry in Thomas Cooper's The Purgatory of Suicides
- Slaves in Heaven, Laborers in Hell: Chartist Poets' Ambivalent Identification with the (Black) Slave
- Poetic Agency: Metonymy and Metaphor in Chartist Poetry 1838-1852
- The Poetics of the Working Classes
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