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Nineteenth-Century French Studies cover
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This issue contains 29 articles in total

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  1. Errata
  2. Nineteenth-Century French Studies: Index to Vol. 37 Nos. 1–4 Fall 2008–Summer 2009
  3. The Substance and the Shadow (review)
  4. Œuvres complètes II: Œuvres diverses et lettres 1864/1865-1870 (review)
  5. Nerval: Une Poétique du deuil à l'âge romantique (review)
  6. Dictionnaire Nerval (review)
  7. Contes et nouvelles de Maupassant: Pour une poétique du recueil (review)
  8. Pierre Loti and the Theatricality of Desire (review)
  9. Journal 1879–1886 (review)
  10. Victor Hugo, orateur politique: 1846–1880 (review)
  11. Œuvres complètes: Romans, contes et nouvelles Tome 1: Mademoiselle de Maupin (review)
  12. Les Veillées des Antilles (review)
  13. L'Itinéraire de Paris à Jérusalem de Chateaubriand: L'invention du voyage romantique (review)
  14. The Cambridge Companion to Baudelaire (review)
  15. Baudelaire: Un Demi-Siècle de lectures des Fleurs du mal (1855-1905) (review)
  16. The New Bibliopolis: French Book Collectors and the Culture of Print, 1880-1914 (review)
  17. A Sun within a Sun: The Power and Elegance of Poetry (review)
  18. Reading Culture and Writing Practices in Nineteenth-Century France (review)
  19. Flaneurs & Idlers (review)
  20. Splendeurs et misères de la grisette: Evolution d'une figure emblématique (review)
  21. Berlioz and Debussy: Sources, Contexts and Legacies. Essays in Honour of François Lesure (review)
  22. Esthétisation, immaculation, transfiguration dans La Confession de Claude de Zola
  23. The Symptomatic Doctor
  24. (Un)Veiling the Self and the Story: Dandyism, Desire, and Narrative Duplicity in Barbey d'Aurevilly's Les Diaboliques
  25. "Un Artiste en matière de chiffons": The Rag-Picker as a Figure for the Artist in Champfleury's La Mascarade de la vie parisienne
  26. "Cautériser la plaie": The Lorette as Social Ill in the Goncourts and Eugène Sue
  27. Rodolphe Töpffer and Romanticism
  28. Stendhal's Heroines: Escaping History Through History
  29. The Abyss of Freedom: Legitimacy, Unity, and Irony in Constant's Adolphe
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