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- University of Nebraska Press
- Article
- The White Screen Circa 1900—On the Moving Image as Potentiality of Thought Volume 15, Numbers 1-2, 2007, pp. 40-65
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This issue contains 45 articles in total
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- Notes on Contributors
- Forthcoming
- Vampires: Myths and Metaphors of Enduring Evil (review)
- Darwinism and Its Discontents (review)
- Fredric Jameson: Live Theory (review)
- Beyond Lacan (review)
- Shelley and the Revolutionary Sublime (review)
- Filth: Dirt, Disgust, and Modern Life (review)
- Philosophy at the Edge of Chaos: Gilles Deleuze and the Philosophy of Difference (review)
- The Giroux Reader (review)
- The Violence of Modernity: Baudelaire, Irony, and the Politics of Form (review)
- Always Already New: Media, History, and the Data of Culture (review)
- The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work (review)
- Jean-Paul Sartre and the Jewish Question (review)
- The Impossible Mourning of Jacques Derrida (review)
- On the Anarchy of Poetry and Philosophy: A Guide for the Unruly (review)
- Postphenomenology: A Critical Companion to Ihde (review)
- Cartographic Cinema (review)
- On the Shores of Politics (review)
- H. C. for Life, That Is to Say . . . . (review)
- The Disease of Images
- The Liberal Liberal Arts
- American Adorno?
- Bending Back and Breaking
- Comparative Literature Without Borders: A Decennial Taking of Stock
- Edward W. Said's Legacy
- Frames and Mirrors in Marjane Satrapi's Persepolis
- Melancholic Loss: Reading Bedouin Women's Elegiac Poetry
- The Nightmare of Health: Metaphysics and Ethics in the Signification of Disability
- Zoöphilpsychosis: Why Animals Are What's Wrong with Sentimentality
- The Question of Community in Deleuze and Guattari (II): After Friendship
- Death Star, or How I Learned to Stop Worrying and Love Globalization
- Romancing the Tao: How Ang Lee Globalized Ancient Chinese Wisdom
- Affirmation of the Lost Object: Peppermint Candy and the End of Progress
- Gendered Border Crossings: The Films of Division in Divided Germany
- Roads to Nowhere: Borders and Belonging in Le Salaire de la Peur
- Leaving Home in Three Films by Walter Salles
- Satire as Magnifying Glass: Crossing the US Border in Bruce McDonald's Highway 61
- Border Incidence
- Bordersploitation: Hollywood Border Crossers and Buddy Cops
- The Divided Self and the Dark City: Film Noir and Liminality
- The White Screen Circa 1900—On the Moving Image as Potentiality of Thought
- Boundaries In Beloved
- Walter Benjamin and the Dispersion of Cinema
- Editor's Note
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