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- Biography
- University of Hawai'i Press
- Article
- Lovers, Filmmakers, and Nazis: Fritz Lang's Last Two Movies as Autobiography Volume 29, Number 1, Winter 2006, pp. 86-100
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This issue contains 14 articles in total
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- Contributors
- Keaton's Leap: Self-Projection and Autobiography in Film
- Reviewed Elsewhere
- Vitagraphic Time
- The Personal Cinema of Maya Deren: Meshes of the Afternoon and Its Critical Reception in the History of the Avant-Garde
- Removing the Experience: Simulacrum as an Autobiographical Act in American Splendor
- Playing Doctor: Francois Truffaut's L'Enfant sauvage and the Auteur/Autobiographer as Impersonator
- Lovers, Filmmakers, and Nazis: Fritz Lang's Last Two Movies as Autobiography
- Carousel: Erwin, Elvira, Armin, Fassbinder, and All the Others' Auto/biographies
- The Immigrant Experience in Jonas Mekas's Diary Films: A Chronotopic Analysis of Lost, Lost, Lost
- The Mandatory Proxy
- The Influence and Treatment of Autobiography in Confessional Art: Observations on Tracey Emin's Feature Film Top Spot
- Autobiography and the Autobiographical in the Bill Douglas Trilogy
- To Act or to Perform: Distinguishing Filmic Autobiography
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