- Contents, Volume 68, 2012
michael barry | |
“To forget your place”: Translation and Irretrievability in Cahan’s The Rise of David Levinsky | 4/79 |
alex j. beringer | |
“Some Unsuspected Author”: Ignatius Donnelly and the Conspiracy Novel | 4/35 |
marta caminero-santangelo | |
Narrating the Non-Nation: Literary Journalism and “Illegal” Border Crossings | 3/157 |
andrew fitch | |
Serial Realism: Poetic Narrative in Perspectives | 2/123 |
adam gordon | |
“A Condition To Be Criticized”: Edgar Allan Poe and the Vocation of Antebellum Criticism | 2/1 |
janet gray | |
Nevermore the Reverberations | 3/27 |
dustin hannum | |
National Treasure and American Scripture: Form, History, and the Aesthetic Politics of the Declaration of Independence | 2/151 |
brady harrison | |
“man’s meat ain’t proper meat”: The Big Sky, Cannibalism, and the Clap | 2/63 |
mitchum huehls | |
Private Property as Story: Helena Viramontes’ Their Dogs Came with Them | 4/155 |
beverly a. hume | |
Austin’s Consuming “Desertness” in The Land of Little Rain | 4/61 |
sarah kerman | |
Authentic Imitation: Modernist Anthologies and the Pedagogy of Folk Culture | 1/87 |
tiffany eberle kriner | |
Wary Grammar: Fanny Howe’s Narrative Bewilderment | 3/129 |
hadley leach | |
Thoreau’s Aphoristic Form | 3/1 |
tiffany aldrich macbain | |
Cont(r)acting Whiteness: The Language of Contagion in the Autobiographical Essays of Zitkala-Ša | 3/55 |
sarah mahurin | |
William Faulkner and the Seduction of the Unscene | 2/33 |
kristen l. matthews | |
Reading America Reading in Thomas Pynchon’s The Crying of Lot 49 | 2/89 |
lori merish | |
Factory Labor and Literary Aesthetics: The “Lowell Mill Girl,” Popular Fiction, and the Proletarian Grotesque | 4/1 |
brian rajski | |
The Organizational Aesthetic: Kenneth Fearing’s The Big Clock | 1/113 |
lindsay v. reckson | |
A “Reg’lar Jim Dandy”: Archiving Ecstatic Performance in Stephen Crane | 1/55 |
forrest g. robinson | |
Writing as Penance: National Guilt and J. M. Coetzee | 1/1 |
christopher schmidt | |
The Queer Nature of Waste in John Ashbery’s The Vermont Notebook | 3/71 |
paul stephens | |
What Do We Mean by “Literary Experimentalism”?: Notes Toward a History of the Term | 1/143 |
cheryl a. wall | |
Reading The Black Book: Between the Lines of History | 4/105 |
patrick f. walter | |
Cyberkill: Melancholia, Globalization and Media Terrorism in American Psycho and Glamorama | 4/131 |
arielle zibrak | |
Intolerance, A Survival Guide: Heteronormative Culture Formation in Cormac McCarthy’s The Road | 3/103 |
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