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In this Issue

Table of Contents

  1. Re-presenting Dalit Feminist Politics through Dialogical Musical Ethnography
  2. Zoe C. Sherinian
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/wam.2005.0012
  5. restricted access
  1. A Resisting Performance of an Appalachian Traditional Murder Ballad: Giving Voice to "Pretty Polly"
  2. Lydia Hamessley
  3. pp. 13-36
  4. DOI: https://doi.org/10.1353/wam.2005.0008
  5. restricted access
  1. Kate Bush's Subversive Shoes
  2. Bonnie Gordon
  3. pp. 37-50
  4. DOI: https://doi.org/10.1353/wam.2005.0007
  5. restricted access
  1. Theorizing Gender, Culture, and Music
  2. Annamaria Cecconi
  3. pp. 99-105
  4. DOI: https://doi.org/10.1353/wam.2005.0002
  5. restricted access
  1. Theorizing Gender, Culture, and Music
  2. Mary Ann Smart
  3. pp. 106-110
  4. DOI: https://doi.org/10.1353/wam.2005.0013
  5. restricted access
  1. Radical Harmonies (review)
  2. Martha Mockus
  3. pp. 111-116
  4. DOI: https://doi.org/10.1353/wam.2005.0011
  5. restricted access
  1. This Is Pop: In Search of the Elusive at Experience Music Project (review)
  2. Kevin J. H. Dettmar
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/wam.2005.0005
  5. restricted access
  1. Right to Rock: The Black Rock Coalition and the Cultural Politics of Race (review)
  2. Norma Coates
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/wam.2005.0003
  5. restricted access
  1. Letter from the Editor
  2. Suzanne G. Cusick
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/wam.2005.0004
  5. restricted access
  1. Contributors
  2. pp. 122-123
  3. DOI: https://doi.org/10.1353/wam.2005.0001
  4. restricted access

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