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Table of Contents

  1. "The Call of Salome": American Adaptations and Re-creations of the Female Body in the Early Twentieth Century
  2. Mary Simonson
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/wam.2007.0016
  5. restricted access
  1. Thinking (as) Difference: Lesbian Imagination and Music
  2. Elizabeth Gould
  3. pp. 17-28
  4. DOI: https://doi.org/10.1353/wam.2007.0026
  5. restricted access
  1. "Excellence in Execution" and "Fitness for Teaching": Assessments of Women at the Conservatoire Américain
  2. Kendra Preston Leonard
  3. pp. 29-50
  4. DOI: https://doi.org/10.1353/wam.2007.0017
  5. restricted access
  1. Keeping Time with Lesbians on Ecstasy
  2. Judith Halberstam
  3. pp. 51-58
  4. DOI: https://doi.org/10.1353/wam.2007.0028
  5. restricted access
  1. Listening to Gender: A Response to Judith Halberstam
  2. Judith Ann Peraino
  3. pp. 59-64
  4. DOI: https://doi.org/10.1353/wam.2007.0027
  5. restricted access
  1. Music in Other Words: Victorian Conversations (review)
  2. Nancy Newman
  3. pp. 65-71
  4. DOI: https://doi.org/10.1353/wam.2007.0025
  5. restricted access
  1. Modal Subjectivities: Self-Fashioning in the Italian Madrigal (review)
  2. Melanie Marshall
  3. pp. 72-82
  4. DOI: https://doi.org/10.1353/wam.2007.0023
  5. restricted access
  1. Puccini and the Girl: History and Reception of "The Girl of the Golden West" (review)
  2. Ruth A. Solie
  3. pp. 82-86
  4. DOI: https://doi.org/10.1353/wam.2007.0019
  5. restricted access
  1. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig (review)
  2. Sophie Fuller
  3. pp. 86-89
  4. DOI: https://doi.org/10.1353/wam.2007.0024
  5. restricted access
  1. Gender and Sexuality in South African Music (review)
  2. Martin Rudolph Scherzinger
  3. pp. 90-95
  4. DOI: https://doi.org/10.1353/wam.2007.0029
  5. restricted access
  1. Soul on Soul: The Life and Music of Mary Lou Williams (review)
  2. Sherrie Tucker
  3. pp. 95-100
  4. DOI: https://doi.org/10.1353/wam.2007.0022
  5. restricted access
  1. Monteverdi's Unruly Women: The Power of Song in Early Modern Italy (review)
  2. Thomasin K. LaMay
  3. pp. 101-106
  4. DOI: https://doi.org/10.1353/wam.2007.0015
  5. restricted access
  1. The Courtesan's Arts: Cross-Cultural Perspectives (review)
  2. Alexandra Coller
  3. pp. 106-111
  4. DOI: https://doi.org/10.1353/wam.2007.0018
  5. restricted access
  1. Beyond Structural Listening?: Postmodern Modes of Hearing (review)
  2. Judith Irene Lochhead
  3. pp. 111-124
  4. DOI: https://doi.org/10.1353/wam.2007.0020
  5. restricted access
  1. Contributors
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/wam.2007.0021
  5. restricted access

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