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In this Issue

Table of Contents

  1. Remaking the Past: Feminist Spirituality in Anonymous 4 and Sequentia's Vox Feminae
  2. Kirsten Yri
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/wam.0.0007
  5. restricted access
  1. Gender and Gender Redux: Rethinking Binaries and the Aesthetics of Old-Style Javanese Wayang
  2. Sarah Weiss
  3. pp. 22-39
  4. DOI: https://doi.org/10.1353/wam.0.0010
  5. restricted access
  1. A Spy in the House of Love
  2. Ann Powers
  3. pp. 40-43
  4. DOI: https://doi.org/10.1353/wam.0.0013
  5. restricted access
  1. Calling Ellen Willis: Quarreling with the "Radicals," Loving Consumer Culture, and Hearing Women's Voices
  2. Susan Fast
  3. pp. 44-53
  4. DOI: https://doi.org/10.1353/wam.0.0000
  5. restricted access
  1. The Write to Rock: Racial Mythologies, Feminist Theory, and the Pleasures of Rock Music Criticism
  2. Daphne A. Brooks
  3. pp. 54-62
  4. DOI: https://doi.org/10.1353/wam.0.0002
  5. restricted access
  1. The Sublime, the Ineffable, and Other Dangerous Aesthetics
  2. Judy Lochhead
  3. pp. 63-74
  4. DOI: https://doi.org/10.1353/wam.0.0004
  5. restricted access
  1. Garden Disputes: Postmodern Beauty and the Sublime Neighbor: A Response to Judy Lochhead's "The Sublime, the Ineffable, and Other Dangerous Aesthetics"
  2. James Robert Currie
  3. pp. 75-86
  4. DOI: https://doi.org/10.1353/wam.0.0006
  5. restricted access
  1. Musicology after Identity—: Four Fragments
  2. James Robert Currie
  3. pp. 87-93
  4. DOI: https://doi.org/10.1353/wam.0.0009
  5. restricted access
  1. Experience, Borders: "How, therefore, must we live?": A Response to James Robert Currie
  2. Judy Lochhead
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/wam.0.0012
  5. restricted access
  1. Black Women and Music: More than the Blues (review)
  2. Monica Hairston
  3. pp. 96-100
  4. DOI: https://doi.org/10.1353/wam.0.0015
  5. restricted access
  1. Check It While I Wreck It: Black Womanhood, Hip-Hop Culture and the Public Sphere (review)
  2. Marnie Binfield
  3. pp. 100-104
  4. DOI: https://doi.org/10.1353/wam.0.0001
  5. restricted access
  1. A Boy Named Sue: Gender and Country Music (review)
  2. Robynn Stilwell
  3. pp. 104-110
  4. DOI: https://doi.org/10.1353/wam.0.0003
  5. restricted access
  1. Sensational Knowledge: Embodying Culture through Japanese Dance (review)
  2. Wendy Hsu
  3. pp. 110-113
  4. DOI: https://doi.org/10.1353/wam.0.0005
  5. restricted access
  1. The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity (review)
  2. Judith Tick
  3. pp. 113-117
  4. DOI: https://doi.org/10.1353/wam.0.0008
  5. restricted access
  1. Melting the Venusberg: A Feminist Theology of Music (review)
  2. Jennifer Rycenga
  3. pp. 117-122
  4. DOI: https://doi.org/10.1353/wam.0.0011
  5. restricted access
  1. Contributors
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/wam.0.0014
  5. restricted access

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