- Victorian Poetry IndexVolume 51, 2013
99 | D.M.R. Bentley |
Dante Gabriel Rossetti’s “Absurd,” Antiquarian, and “Modern-Antique” Medievalism(s): Girlhood of Mary Virgin, The Bride’s Prelude, and “Stratton Water” | |
1 | Alan P. Barr |
The Irony of Swinburne’s Atalanta in Calydon | |
147 | S. Brooke Cameron |
The Pleasures of Looking and the Feminine Gaze in Michael Field’s Sight and Song | |
511 | Ayşe Çelīkkol |
Secular Pleasures and FitzGerald’s Rubáiyát of Omar Khayyám | |
249 | Sarah H. Ficke |
Crafting Social Criticism: Infanticide in “The Runaway Slave at Pilgrim’s Point” and Aurora Leigh | |
37 | Michelle Geric |
Tennyson’s Maud (1855) and the “unmeaning of names”: Geology, Language Theory, and Dialogics | |
Guide to the Year’s Work | |
81 | John Hughes |
Meter and Context: Hardy’s “Neutral Tones” | |
443 | Linda K. Hughes |
Narrative Matters: Keynote Address to “Forms and Fashions. A Conference in Celebration of the 50th Anniversary of Victorian Poetry” | |
271 | Andrew Kay |
Swinburne, Impressionistic Formalism, and the Afterlife of Victorian Poetic Theory | |
63 | Mary Mullen |
Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness | |
177 | Jason Nabi |
Tennyson with the Net Down: His “Freer” Verse | |
465 | Albert D. Pionke |
Erotic, Prosodic, and Ethical-Aesthetic Forms of Triangulation in Augusta Webster’s Dramatic Studies and A Women Sold and Other Poems | |
227 | Rebecca Rainof |
Victorians in Purgatory: Newman’s Poetics of Conciliation and the Afterlife of the Oxford Movement | |
487 | Justin Sider |
Framing Tennyson’s Farewells: Authority and Materiality in “Morte d’Arthur” | |
201 | Philip J. Stewart |
Clough’s Last Summer | |
297 | Joanna Swafford |
Swinburne and the Möbius Strip: Circumvented Circularity in A Century of Roundels | |
311 | Joshua Taft |
The Forms of Discipline: Christina Rossetti’s Religious Verse | |
129 | Marion Thain |
“Thomas Hardy’s Poetics of Touch” | |
15 | Megan Torti |
“The life of such dead things”: Psychological Obsession in Swinburne’s “Félise” | |
533 | Lorraine Wood |
Filling in the Blanks: Music and Performance in Dante Gabriel Rossetti |
[End Page 564]