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In this Issue

Table of Contents

  1. Hocus Pocus Junior: Further Confirmation of its Author
  2. Philip Butterworth
  3. pp. 130-135
  4. restricted access
  1. Samuel Sandford and Colley Cibber: Two Players’ Acting Techniques and the Rise and Fall of Restoration Villain Tragedy on the London Stage from the 1670s to the 1730s
  2. Riki Miyoshi
  3. pp. 136-152
  4. restricted access
  1. “The Stage is Hung with Blacke”: On the Use of Black curtains for Tragedies in the Early Modern Period
  2. Mariko Ichikawa
  3. pp. 153-188
  4. restricted access
  1. Modern British Playwriting: the 1950s by David Pattie, and: Modern British Playwriting: the 1960s by Steve Nicholson (review)
  2. Trevor R. Griffiths
  3. pp. 189-190
  4. restricted access
  1. Britain Had Talent: A History of British Variety Theatre by Oliver Double, and: My Old Man: A Personal History of Music Hall by John Major (review)
  2. Adam Ainsworth
  3. pp. 190-192
  4. restricted access
  1. Gwen Ffrangcon-Davies, Twentieth-Century Actress by Helen Grime (review)
  2. Eileen E. Cottis
  3. pp. 192-193
  4. restricted access
  1. The Collected Letters of Ellen Terry ed. by Katherine Cockin (review)
  2. Russell Jackson
  3. pp. 193-195
  4. restricted access
  1. Scottish Theatre: Diversity, Language, Continuity by Ian Brown Rodopi (review)
  2. Sebastian Mitchell
  3. pp. 195-196
  4. restricted access
  1. The Frank Matcham Society
  3. p. 196
  4. restricted access
  1. The Terence Rattigan Society
  3. p. 196
  4. restricted access
  1. Back-Stage Heritage
  3. p. 196
  4. restricted access