Index to Volume 58
Buy Issue for $25 at JHUPIndex to Volume 58
Contributors' Index
Articles
Carlson, Marla. "Looking, Listening, and Remembering: Ways to Walk New York after 9/11." 395–416.
Cesare, T. Nikki. "'Like a chained man's bruise': The Mediated Body in Eight Songs for a Mad King and Anatomy Theater." 437–457.
Gaiser, Carrie. "Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre of Harlem's Creole Giselle." 269–289.
Garner, Stanton B., Jr. "Artaud, Germ Theory, and the Theatre of Contagion." 1–14.
Johung, Jennifer. "Figuring the 'Spells'/Spelling the Figures: Suzan-Lori Parks's 'Scene of Love (?).'" 39–52.
Klett, Elizabeth. "Many Bodies, Many Voices: Performing Androgyny in Fiona Shaw and Deborah Warner's Richard II." 175–194.
Kochhar-Lindgren, Kanta. "Hearing Difference across Theatres: Experimental, Disability, and Deaf Performance." 417–436.
Magelssen, Scott. "Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation." 291–312.
Mayer, David. "Why Girls Leave Home: Victorian and Edwardian 'Bad-Girl' Melodrama Parodied in Early Film." 575–593.
Nassar, Hala Kh. "Stories from under Occupation: Performing the Palestinian Experience." 15–37.
Parker-Starbuck, Jennifer. "Becoming-Animate: On the Performed Limits of 'Human.'" 649–668.
Saglia, Diego. "'The Illegitimate Assistance of Political Allusion': Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil." 249–267.
Salvato, Nick. "Tramp Sensibility and the Afterlife of Showgirls." 633–648.
Savran, David. "The Search for America's Soul: Theatre in the Jazz Age." 459–476.
Schiavi, Michael R. "The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife." 195–220.
Solga, Kim. "Rape's Metatheatrical Return: Rehearsing Sexual Violence among the Early Moderns." 53–72.
Solomon, Matthew. "Up-to-Date Magic: Theatrical Conjuring and the Trick Film." 595–615.
Stephenson, Jenn. "Metatheatre and Authentication through Metonymic Compression in John Mighton's Possible Worlds. 73–94.
Terni, Jennifer. "A Genre for Early Mass Culture: French Vaudeville and the City, 1830–1848." 221–248.
Walker, Julia A. "'In the Grip of an Obsession': Delsarte and the Quest for Self-Possession in The Cabinet of Dr. Caligari." 617–631.
Waltz, Gwendolyn. "Filmed Scenery on the Live Stage." 547–573.
Weiss, Allen S. "Ten Theses to Subvert a Work (A Manifesto)." 393–394.
Performance Reviews
Alker, Gwendolyn. Dress Suits to Hire. Holly Hughes in collaboration with Peggy Shaw and Lois Weaver. 106–109.
Anan, Nobuko. Hiroshima Maiden. Dan Hurlin. 690–692.
Anderson, Virginia. Teahouse. Lao She. 504–506.
Andrucki, Martin, and Katalin Vecsey. The Contemporary Drama Festival. 144–148.
Basiouny, Dalia. New York Arab-American Comedy Festival. 327–331.
Beach, Maria. Nine Parts of Desire. Written and performed by Heather Raffo. 102–103.
Blackadder, Neil. Emilia Galotti. Gotthold Ephraim Lessing. 350–351.
Booker, Margaret. Radio Golf. August Wilson. 342–345.
Brandon, James M. A Number. Caryl Churchill. 502–504.
Chirico, Miriam M. The Learned Ladies of Park Avenue: A Riff on Molière. David Grimm. 352–355. [End Page 737]
Choate, E. Teresa. Le Dernier Caravansérail (Odyssées), Part One: Le Fleuve Cruel (The Cruel River), Part Two: Origines et Destins (Origins and Destinies). 95–99.
Claycomb, Ryan. Guantanamo: "Honor Bound to Defend Freedom." Victoria Brittain and Gillian Slovo. 703–705.
Cohen-Cruz, Jan. The Network of Ensemble Theaters Festival (NETFEST). 140–143.
Cummings, Scott T. 30th Annual Humana Festival of New American Plays. 695–697.
Dachel, Kimberly. Pericles, Prince of Tyre. William Shakespeare. 495–498.
––––––. Children of the Sea. Toby Gough. 495–498.
Dunkelberg, Kermit. Ko Festival of Performance. 331–333.
Earnest, Steve. Cleansed. Sarah Kane. 110–112.
Ecker, Elizabeth, Kristina Caton, and M. G. Aune. Hamlet. William Shakespeare. 705–707.
Eschen, Nicole. The Hungry Woman: A Mexican Medea. Cherríe Moraga. 103–106.
Eshelman, David J. Filles de guerres lasses. Dominick Parenteau-Lebeuf. 355–356.
Fleche, Anne. A "T" Stop Named Denial. Ryan Landry and the Gold Dust Orphans. 115–117.
Fordyce, Ehren. Festival d'Avignon. 316–319.
Frank, Glenda. Passion Play, a cycle. Sarah Ruhl. 500–501.
Freeman, Sara. The Importance of Being Earnest. Oscar Wilde. 356–358.
––––––. Travesties. Tom Stoppard. 356–358.
Garrett, Shawn-Marie...
