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In this Issue

Table of Contents

  1. “Let Our Freak Flags Fly”: Shrek the Musical and the Branding of Diversity
  2. Jessica Brater, Jessica Del Vecchio, Andrew Friedman, Bethany Holmstrom, Eero Laine, Donald Levit, Hillary Miller, David Savran, Carly Griffin Smith, Kenn Watt, Catherine Young, Peter Zazzali
  3. pp. 151-172
  4. DOI: https://doi.org/10.1353/tj.0.0351
  5. restricted access
  1. “Stealing Steps” and Signature Moves: Embodied Theories of Dance as Intellectual Property
  2. Anthea Kraut
  3. pp. 173-189
  4. DOI: https://doi.org/10.1353/tj.0.0357
  5. restricted access
  1. Negotiating the “Negro Problem”: Stew’s Passing (Made) Strange
  2. Brandon Woolf
  3. pp. 191-207
  4. DOI: https://doi.org/10.1353/tj.0.0363
  5. restricted access
  1. Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage
  2. Rosemary Barrow
  3. pp. 209-226
  4. DOI: https://doi.org/10.1353/tj.0.0369
  5. restricted access
  1. Watching Actors
  2. Tzachi Zamir
  3. pp. 227-243
  4. DOI: https://doi.org/10.1353/tj.0.0375
  5. restricted access
  1. Evil, Sin, or Doubt?: The Dramas of Clerical Child Abuse
  2. Elizabeth Cullingford
  3. pp. 245-263
  4. DOI: https://doi.org/10.1353/tj.0.0343
  5. restricted access
  1. Our Future Metropolis: Mr. Daniel H. Burnham Presents a Plain Talk for the Development of Chicago (review)
  2. Loren Kruger
  3. pp. 265-267
  4. DOI: https://doi.org/10.1353/tj.0.0349
  5. restricted access
  1. The Great Game: Afghanistan (review)
  2. Lesley Ferris
  3. pp. 267-271
  4. DOI: https://doi.org/10.1353/tj.0.0355
  5. restricted access
  1. War Horse, and: Stovepipe (review)
  2. Ralf Remshardt
  3. pp. 271-275
  4. DOI: https://doi.org/10.1353/tj.0.0361
  5. restricted access
  1. South Africa’s National Arts Festival (review)
  2. Megan Lewis
  3. pp. 275-280
  4. DOI: https://doi.org/10.1353/tj.0.0367
  5. restricted access
  1. Festlip 2009 (review)
  2. Christina S. McMahon
  3. pp. 280-285
  4. DOI: https://doi.org/10.1353/tj.0.0373
  5. restricted access
  1. Boleros for the Disenchanted (review)
  2. J. Chris Westgate
  3. pp. 285-288
  4. DOI: https://doi.org/10.1353/tj.0.0341
  5. restricted access
  1. Kill the Old Torture Their Young (review)
  2. David Calder
  3. pp. 288-290
  4. DOI: https://doi.org/10.1353/tj.0.0347
  5. restricted access
  1. The Emperor Jones (review)
  2. Katharine Goodland
  3. pp. 290-291
  4. DOI: https://doi.org/10.1353/tj.0.0353
  5. restricted access
  1. An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening (review)
  2. Jacob Juntunen
  3. pp. 291-293
  4. DOI: https://doi.org/10.1353/tj.0.0359
  5. restricted access
  1. Live Arts Festival and Philly Fringe (review)
  2. Justin Aaron Poole
  3. pp. 293-295
  4. DOI: https://doi.org/10.1353/tj.0.0365
  5. restricted access
  1. Little House on the Prairie, The Musical (review)
  2. Rachel Evans
  3. pp. 296-298
  4. DOI: https://doi.org/10.1353/tj.0.0371
  5. restricted access
  1. The Bluest Water: A Hurricane Camille Story (review)
  2. Angela Sweigart-Gallagher
  3. pp. 298-301
  4. DOI: https://doi.org/10.1353/tj.0.0377
  5. restricted access
  1. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (review)
  2. Vanessa Ford
  3. pp. 303-304
  4. DOI: https://doi.org/10.1353/tj.0.0344
  5. restricted access
  1. (Syn)Aesthetics: Redefining Visceral Performance (review)
  2. Susan Bennett
  3. pp. 304-305
  4. DOI: https://doi.org/10.1353/tj.0.0350
  5. restricted access
  1. Political Theatre in Post-Thatcher Britain: New Writing, 1995–2005 (review)
  2. Sara Freeman
  3. pp. 306-308
  4. DOI: https://doi.org/10.1353/tj.0.0362
  5. restricted access
  1. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and ’90s (review)
  2. Rockford Sansom
  3. pp. 308-309
  4. DOI: https://doi.org/10.1353/tj.0.0368
  5. restricted access
  1. The Laity, The Church and the Mystery Plays: A Drama of Belonging (review)
  2. Joohee Park
  3. pp. 309-310
  4. DOI: https://doi.org/10.1353/tj.0.0374
  5. restricted access
  1. The Swastika and the Stage: German Theatre and Society, 1933–1945 (review)
  2. Leigh Clemons
  3. pp. 310-311
  4. DOI: https://doi.org/10.1353/tj.0.0342
  5. restricted access
  1. Holocaust Drama: The Theater of Atrocity (review)
  2. Erika Hughes
  3. pp. 311-312
  4. DOI: https://doi.org/10.1353/tj.0.0348
  5. restricted access
  1. Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)
  2. Brenda Werth
  3. pp. 313-314
  4. DOI: https://doi.org/10.1353/tj.0.0354
  5. restricted access
  1. Classics in Post-Colonial Worlds, and: Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora (review)
  2. Erin B. Mee
  3. pp. 314-315
  4. DOI: https://doi.org/10.1353/tj.0.0360
  5. restricted access
  1. The Theatre of Socìetas Raffaello Sanzio (review)
  2. Milan Pribisic
  3. pp. 315-316
  4. DOI: https://doi.org/10.1353/tj.0.0366
  5. restricted access
  1. Shakespeare’s Ideas: More Things in Heaven and Earth (review)
  2. Lisa Bernd
  3. pp. 317-318
  4. DOI: https://doi.org/10.1353/tj.0.0372
  5. restricted access
  1. The Radicalization of Irish Drama, 1600–1900: The Rise and Fall of Ascendancy Theatre (review)
  2. Callie Oppedisano
  3. pp. 318-319
  4. DOI: https://doi.org/10.1353/tj.0.0340
  5. restricted access
  1. The Ulster Literary Theatre and the Northern Revival (review)
  2. Eleanor Owicki
  3. pp. 319-320
  4. DOI: https://doi.org/10.1353/tj.0.0346
  5. restricted access
  1. Culture Makers: Urban Performance and Literature in the 1920s (review)
  2. Nicole Tabor
  3. pp. 320-321
  4. DOI: https://doi.org/10.1353/tj.0.0352
  5. restricted access
  1. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)
  2. Brian Eugenio Herrera
  3. pp. 322-323
  4. DOI: https://doi.org/10.1353/tj.0.0358
  5. restricted access
  1. The Scene of Harlem Cabaret: Race, Sexuality, Performance (review)
  2. Darin Kerr
  3. pp. 323-324
  4. DOI: https://doi.org/10.1353/tj.0.0364
  5. restricted access
  1. Erratum
  3. p. 324
  4. DOI: https://doi.org/10.1353/tj.0.0370
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  1. Doctoral Projects in Progress in Theatre Arts, 2010
  2. Kyle Reynolds Conway, Troy Matthew Lescher
  3. pp. 329-332
  4. DOI: https://doi.org/10.1353/tj.0.0376
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  1. Editorial Comment
  2. Penny Farfan
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/tj.0.0345
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  1. The Cambridge Introduction to Theatre Historiography (review)
  2. James Peck
  3. pp. 305-306
  4. DOI: https://doi.org/10.1353/tj.0.0356
  5. restricted access