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In this Issue

Table of Contents

  1. In Memoriam: Vera Mowry Roberts (1913-2010)
  2. Milly S. Barranger
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/ths.2011.0006
  5. restricted access
  1. Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community
  2. Kelly Carolyn Gordon
  3. pp. 3-8
  4. DOI: https://doi.org/10.1353/ths.2011.0011
  5. restricted access
  1. Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project
  2. Elizabeth Osborne
  3. pp. 9-26
  4. DOI: https://doi.org/10.1353/ths.2011.0016
  5. restricted access
  1. Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke
  2. Rick Bowers
  3. pp. 27-50
  4. DOI: https://doi.org/10.1353/ths.2011.0021
  5. restricted access
  1. Burns Mantle and the American Theatregoing Public
  2. Dorothy Chansky
  3. pp. 51-66
  4. DOI: https://doi.org/10.1353/ths.2011.0026
  5. restricted access
  1. Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism
  2. Jennifer A. Kokai
  3. pp. 67-89
  4. DOI: https://doi.org/10.1353/ths.2011.0000
  5. restricted access
  1. Julia Marlowe's Imogen: Modern Identity, Victorian Style
  2. Patty S. Derrick
  3. pp. 90-117
  4. DOI: https://doi.org/10.1353/ths.2011.0004
  5. restricted access
  1. Slavery and Sentiment on the American Stage, 1781-1861: Lifting the Veil of Black (review)
  2. Rosemarie K. Bank
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/ths.2011.0009
  5. restricted access
  1. Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (review)
  2. Karen C. Blansfield
  3. pp. 122-125
  4. DOI: https://doi.org/10.1353/ths.2011.0014
  5. restricted access
  1. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)
  2. Dorothy Chansky
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/ths.2011.0019
  5. restricted access
  1. Shakespeare and the American Musical (review)
  2. Tracey Elaine Chessum
  3. pp. 128-131
  4. DOI: https://doi.org/10.1353/ths.2011.0024
  5. restricted access
  1. Albee in Performance, and: Edward Albee (The Later Plays) (review)
  2. David A. Crespy
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/ths.2011.0029
  5. restricted access
  1. Women Writers of the Provincetown Players (review)
  2. Sherry Engle
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/ths.2011.0002
  5. restricted access
  1. Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai (review)
  2. Kathy Foley
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/ths.2011.0007
  5. restricted access
  1. Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern American Theatre, 1916-1921 (review)
  2. Eileen Herrmann-Miller
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/ths.2011.0012
  5. restricted access
  1. The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 (review)
  2. Susan Kattwinkel
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/ths.2011.0017
  5. restricted access
  1. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain (review)
  2. Heather S. Nathans
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/ths.2011.0022
  5. restricted access
  1. From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (review)
  2. Laura M. Nelson
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/ths.2011.0027
  5. restricted access
  1. The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture (review)
  2. Brian Neve
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/ths.2011.0001
  5. restricted access
  1. Irish Theatre in America: Essays on Irish Theatrical Diaspora (review)
  2. Nelson O'Ceallaigh Ritschel
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/ths.2011.0005
  5. restricted access
  1. Making the Scene: A History of Stage Design and Technology in Europe and the United States (review)
  2. Van Santvoord
  3. pp. 155-158
  4. DOI: https://doi.org/10.1353/ths.2011.0010
  5. restricted access
  1. Molière, the French Revolution, and the Theatrical Afterlife (review)
  2. Michael Spingler
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/ths.2011.0015
  5. restricted access
  1. When Broadway Was the Runway: Theater, Fashion, and American Culture (review)
  2. Monica Stufft
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/ths.2011.0020
  5. restricted access
  1. Theatre and Identity in Imperial Russia (review)
  2. Ryan Tvedt
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/ths.2011.0025
  5. restricted access
  1. Weyward Macbeth: Intersections of Race and Performance (review)
  2. Dan Venning
  3. pp. 165-168
  4. DOI: https://doi.org/10.1353/ths.2011.0030
  5. restricted access
  1. The Strangeness of Tragedy (review)
  2. Andrew W. White
  3. pp. 168-170
  4. DOI: https://doi.org/10.1353/ths.2011.0003
  5. restricted access
  1. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (review)
  2. James Wilson
  3. pp. 170-173
  4. DOI: https://doi.org/10.1353/ths.2011.0008
  5. restricted access
  1. The Process of Dramaturgy: A Handbook (review)
  2. Ronald J. Zank
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/ths.2011.0013
  5. restricted access
  1. Illustrations
  3. p. ix
  4. DOI: https://doi.org/10.1353/ths.2011.0028
  5. restricted access
  1. Books Received
  3. p. 175
  4. DOI: https://doi.org/10.1353/ths.2011.0018
  5. restricted access
  1. Contributors
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/ths.2011.0023
  5. restricted access

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