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Table of Contents

  1. Defensive Transcriptions: Radio Networks, Sound-on-Disc Recording, and the Meaning of Live Broadcasting
  2. Alexander Russo
  3. pp. 4-17
  4. DOI: https://doi.org/10.1353/vlt.2004.0018
  5. restricted access
  1. Eisenstein in America: The Que Viva Mexico! Debates and the Emergent Popular Front in U.S. Film Theory and Criticism
  2. Chris Robe
  3. pp. 18-31
  4. DOI: https://doi.org/10.1353/vlt.2004.0017
  5. restricted access
  1. Claiming a Style: The "Living Cinema" of Pierre Perrault's Pour la suite du monde
  2. Charlie Michael
  3. pp. 32-47
  4. DOI: https://doi.org/10.1353/vlt.2004.0016
  5. restricted access
  1. Masters of Ceremony: Media Demonstration as Performance in Three Instances of Expanded Cinema
  2. Roy Grundmann
  3. pp. 48-64
  4. DOI: https://doi.org/10.1353/vlt.2004.0014
  5. restricted access
  1. An Interview with Anthony McCall
  2. Jonathan Walley, Anthony McCall
  3. pp. 65-75
  4. DOI: https://doi.org/10.1353/vlt.2004.0021
  5. restricted access
  1. Film Structure and the Emotion System (review)
  2. Bradley Schauer
  3. pp. 76-79
  4. DOI: https://doi.org/10.1353/vlt.2004.0019
  5. restricted access
  1. Shooting People: Adventures in Reality TV (review)
  2. Jacquelyn Vinson
  3. pp. 80-82
  4. DOI: https://doi.org/10.1353/vlt.2004.0020
  5. restricted access
  1. Contributors
  3. p. i
  4. DOI: https://doi.org/10.1353/vlt.2004.0013
  5. restricted access
  1. Introduction
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/vlt.2004.0015
  5. restricted access