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In this Issue

Table of Contents

  1. Persistence of Vision: Public Library 16mm Film Collections in America
  2. Elena Rossi-Snook
  3. pp. 1-27
  4. DOI: https://doi.org/10.1353/mov.2005.0002
  5. restricted access
  1. Using Shooting Scripts for Indexing Moving Images
  2. James M. Turner, Emmanuel Colinet
  3. pp. 27-44
  4. DOI: https://doi.org/10.1353/mov.2005.0020
  5. restricted access
  1. The Dawn of Tape: Transmission Device as Preservation Medium
  2. Jeff Martin
  3. pp. 45-66
  4. DOI: https://doi.org/10.1353/mov.2005.0012
  5. free access
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  1. Amateurism and Experiment: The British Film Institute's Experimental Film Fund (1952-1966)
  2. Michele Pierson
  3. pp. 68-94
  4. DOI: https://doi.org/10.1353/mov.2005.0016
  5. restricted access
  1. Imaging/Imagining Air Force Identity: "Hap" Arnold, Warner Bros., and the Formation of the USAAF First Motion Picture Unit
  2. Douglas Cunningham
  3. pp. 95-124
  4. DOI: https://doi.org/10.1353/mov.2005.0005
  5. restricted access
  1. Archival Misadventures at UCLA: The Earliest Years
  2. Raymond Fielding
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/mov.2005.0006
  5. restricted access
  1. Mughal-e-Azam : Restoration-cum-Colorization for 35mm Release
  2. Deepesh Salgia
  3. pp. 128-135
  4. DOI: https://doi.org/10.1353/mov.2005.0018
  5. restricted access
  1. In the Mirror of Maya Deren (review)
  2. William C. Wees
  3. pp. 136-140
  4. DOI: https://doi.org/10.1353/mov.2005.0021
  5. restricted access
  1. Bright Leaves (review)
  2. Lawrence F. Rhu
  3. pp. 140-143
  4. DOI: https://doi.org/10.1353/mov.2005.0015
  5. restricted access
  1. Decasia: The State of Decay (review)
  2. Cynthia Rowell
  3. pp. 143-147
  4. DOI: https://doi.org/10.1353/mov.2005.0017
  5. restricted access
  1. Masterworks of African Cinema (review)
  2. Jeanne Garane
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/mov.2005.0007
  5. restricted access
  1. Winsor McCay: The Master Edition (review)
  2. Mark Langer
  3. pp. 149-153
  4. DOI: https://doi.org/10.1353/mov.2005.0010
  5. restricted access
  1. Black, White, and in Color: Television and Black Civil Rights (review)
  2. Christine Acham
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/mov.2005.0001
  5. restricted access
  1. Preserve Then Show (review)
  2. James Hahn
  3. pp. 156-159
  4. DOI: https://doi.org/10.1353/mov.2005.0008
  5. restricted access
  1. Jean Desmet and the Early Dutch Film Trade (review)
  2. Beate Pempeit
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/mov.2005.0014
  5. restricted access
  1. Anita Loos Rediscovered: Film Treatments and Fiction (review)
  2. J. E. Smyth
  3. pp. 161-164
  4. DOI: https://doi.org/10.1353/mov.2005.0019
  5. restricted access
  1. Orphans 04: On Location: Place and Region in Forgotten Films
  2. Dorian Bowen
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/mov.2005.0003
  5. restricted access
  1. Conference at Northeast Historic Film, July 30-31, 2004
  2. Mark Neumann
  3. pp. 171-175
  4. DOI: https://doi.org/10.1353/mov.2005.0013
  5. restricted access
  1. Editor's Forward
  2. Jan-Christopher Horak
  3. pp. vi-x
  4. DOI: https://doi.org/10.1353/mov.2005.0009
  5. restricted access
  1. Ethics and the Archival Profession: Introduction and Case Studies (review)
  2. Lindy Leong
  3. pp. 164-168
  4. DOI: https://doi.org/10.1353/mov.2005.0011
  5. restricted access
  1. Contributors
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/mov.2005.0004
  5. restricted access