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In this Issue

Table of Contents

  1. The “Family Film” as Amateur Production Genre: Frank Marshall’s Comic Narratives
  2. Ryan Shand
  3. pp. 1-27
  4. DOI: https://doi.org/10.5749/movingimage.15.2.0001
  5. restricted access
  1. Film Documentation of the Destruction of Lidice: Political and Ethical Dimensions of the Use of War Footage
  2. Lucie Česálková
  3. pp. 28-49
  4. free access
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  1. Breaking Away from Reverence and Rape: The AFI Directing Workshop for Women, Feminism, and the Politics of the Accidental Archive
  2. Philis M. Barragán Goetz
  3. pp. 50-71
  4. DOI: https://doi.org/10.5749/movingimage.15.2.0050
  5. restricted access
  1. The Remix Age: Exhibition as Archive
  2. Viva Paci, Timothy Barnard
  3. pp. 72-82
  4. DOI: https://doi.org/10.5749/movingimage.15.2.0072
  5. restricted access
  1. Remixing Early Cinema: Historical Explorations at the EYE Film Institute Netherlands
  2. Grazia Ingravalle
  3. pp. 82-97
  4. DOI: https://doi.org/10.5749/movingimage.15.2.0082
  5. restricted access
  1. Amateur Cinema: The Rise of North American Moviemaking, 1923–1960 by Charles Tepperman (review)
  2. Liz Czach
  3. pp. 98-100
  4. restricted access
  1. Ride the Pink Horse (1947) (review)
  2. Ronald Wilson
  3. pp. 101-105
  4. restricted access
  1. Bastard Film Encounter 2015 (review)
  2. Andy Uhrich
  3. pp. 105-109
  4. restricted access
  1. Editors’ Foreword
  2. Susan Ohmer, Donald Crafton
  3. pp. vii-x
  4. DOI: https://doi.org/10.5749/movingimage.15.2.0vii
  5. restricted access