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Table of Contents

  1. James Thomson and the Affective Body in/of The Seasons
  2. Kate Parker
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/sli.2013.0005
  5. restricted access
  1. “The well-dissembled Mourner”: Lightning’s (Dis)course in the Still Lives of Thomson’s “Celadon and Amelia”
  2. Katarina Stenke
  3. pp. 19-46
  4. DOI: https://doi.org/10.1353/sli.2013.0007
  5. restricted access
  1. Commemorating James Thomson, The Seasons in Scotland, and Scots Poetry
  2. Rhona Brown, Gerard Carruthers
  3. pp. 71-89
  4. DOI: https://doi.org/10.1353/sli.2013.0000
  5. restricted access
  1. Scotland, the Earl of Buchan, and Percival Stockdale’s 1793 Commentary to The Seasons
  2. Michael Edson
  3. pp. 91-113
  4. DOI: https://doi.org/10.1353/sli.2013.0001
  5. restricted access
  1. James Wallis’s Editions of James Thomson’s The Seasons
  2. Kwinten Van De Walle
  3. pp. 115-137
  4. DOI: https://doi.org/10.1353/sli.2013.0002
  5. restricted access
  1. Design, Media, and the Reading of Thomson’s The Seasons
  2. Sandro Jung
  3. pp. 139-160
  4. DOI: https://doi.org/10.1353/sli.2013.0004
  5. restricted access
  1. Introduction
  2. Sandro Jung
  3. pp. v-xiii
  4. DOI: https://doi.org/10.1353/sli.2013.0003
  5. restricted access
  1. Versions of Damon and Musidora: The Realization of Thomson’s Story in Revisions and Illustrations
  2. Tess Somervell
  3. pp. 47-70
  4. DOI: https://doi.org/10.1353/sli.2013.0008
  5. restricted access
  1. Contributors
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/sli.2013.0006
  5. restricted access