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Table of Contents

  1. The Sword Hrunting in Beowulf: Unlocking the Word hord
  2. J. R. Hall
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/sip.2012.0003
  5. restricted access
  1. Chaucer's Silent Italy
  2. Karen Elizabeth Gross
  3. pp. 19-44
  4. DOI: https://doi.org/10.1353/sip.2012.0004
  5. restricted access
  1. England's Amphitruo before Dryden: The Varied Pleasures of Plautus's Template
  2. Richard F. Hardin
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/sip.2012.0005
  5. restricted access
  1. (Mis)representing Justice on the Early Modern Stage
  2. Holger Schott Syme
  3. pp. 63-85
  4. DOI: https://doi.org/10.1353/sip.2012.0006
  5. restricted access
  1. Refraining Songs: The Dynamics of Form in Sidney's Astrophil and Stella
  2. Margaret Simon
  3. pp. 86-102
  4. DOI: https://doi.org/10.1353/sip.2012.0000
  5. restricted access
  1. "The meate was mine": Donne's Satyre II and the Prehistory of Proprietary Authorship
  2. Trevor Cook
  3. pp. 103-131
  4. DOI: https://doi.org/10.1353/sip.2012.0001
  5. restricted access
  1. "What an Englishman in Parliament oughto be": The Politics of Dryden's "To My Honour'd Kinsman"
  2. David Wheeler
  3. pp. 132-152
  4. DOI: https://doi.org/10.1353/sip.2012.0002
  5. restricted access