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In this Issue

Table of Contents

  1. Erotic Spirituality and the Catholic Revival in Napoleonic Paris: The Curious History of Antonio Canova’s Penitent Magdalen
  2. Christopher M. S. Johns
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/sec.2013.0011
  5. restricted access
  1. Beaumarchais’ Revolution: Genre, Politics, and Theatricality in La Mère coupable
  2. Jeffrey M. Leichman
  3. pp. 21-47
  4. DOI: https://doi.org/10.1353/sec.2013.0014
  5. restricted access
  1. The Jesuit and the Libertine: Some Early Reception of Mozart’s Don Giovanni
  2. Edmund J. Goehring
  3. pp. 49-79
  4. DOI: https://doi.org/10.1353/sec.2013.0017
  5. restricted access
  1. Staging Europe: Theatricality and Painting at the Chinese Imperial Court
  2. Kristina Kleutghen
  3. pp. 81-102
  4. DOI: https://doi.org/10.1353/sec.2013.0000
  5. restricted access
  1. “Kings and their crowns”: Signs of Monarchy and the Spectacle of New World Otherness in Heroic Drama and Public Pageantry
  2. Ana Elena González-Treviño
  3. pp. 103-121
  4. DOI: https://doi.org/10.1353/sec.2013.0003
  5. restricted access
  1. Re-Reading Nature and Otherness in Chateaubriand’s Voyage en Amérique: A Case for the Biophilia Effect
  2. Annie K. Smart
  3. pp. 123-145
  4. DOI: https://doi.org/10.1353/sec.2013.0006
  5. restricted access
  1. Beauty and the Beast: Animals in the Visual and Material Culture of the Toilette
  2. Kimberly Chrisman-Campbell
  3. pp. 147-170
  4. DOI: https://doi.org/10.1353/sec.2013.0009
  5. restricted access
  1. Drawing and History in the Comte de Caylus’ Recueil d’antiquités
  2. Hector Reyes
  3. pp. 171-189
  4. DOI: https://doi.org/10.1353/sec.2013.0013
  5. restricted access
  1. Publishers and Gendered Readership in English-Language Editions of Il Newtonianismo per le Dame
  2. Laura Miller
  3. pp. 191-214
  4. DOI: https://doi.org/10.1353/sec.2013.0016
  5. restricted access
  1. Graffigny’s Self, Graffigny’s Friend: Intimate Sharing in the Correspondance1750–52
  2. Heidi Bostic
  3. pp. 215-236
  4. DOI: https://doi.org/10.1353/sec.2013.0019
  5. restricted access
  1. The Poetics of Enclosure in Sense and Sensibility
  2. Julie Park
  3. pp. 237-269
  4. DOI: https://doi.org/10.1353/sec.2013.0002
  5. restricted access
  1. Mediating Happiness: Performances of Jane Austen’s Narrators
  2. Caroline Austin-Bolt
  3. pp. 271-289
  4. DOI: https://doi.org/10.1353/sec.2013.0005
  5. restricted access
  1. The “Famous Mrs. Barry”: Elizabeth Barry and Restoration Celebrity
  2. Kate C. Hamilton
  3. pp. 291-320
  4. DOI: https://doi.org/10.1353/sec.2013.0008
  5. restricted access
  1. ASECS Executive Board 2012–2013
  3. p. 324
  4. DOI: https://doi.org/10.1353/sec.2013.0015
  5. restricted access
  1. American Society for Eighteenth-Century Studies
  3. pp. 325-326
  4. DOI: https://doi.org/10.1353/sec.2013.0018
  5. restricted access
  1. Patron Members 2012–2013 (Con’t)
  3. p. 326
  4. DOI: https://doi.org/10.1353/sec.2013.0001
  5. restricted access
  1. Institutional Members 2012–13
  3. p. 327
  4. DOI: https://doi.org/10.1353/sec.2013.0004
  5. restricted access
  1. Index
  3. pp. 328-337
  4. DOI: https://doi.org/10.1353/sec.2013.0007
  5. restricted access
  1. Editor’s Note
  3. pp. vii-xi
  4. DOI: https://doi.org/10.1353/sec.2013.0010
  5. restricted access
  1. Contributors to Volume 42
  3. pp. 321-323
  4. DOI: https://doi.org/10.1353/sec.2013.0012
  5. restricted access

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Volume 41, 2012

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Volume 43, 2014