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Table of Contents

  1. The Textual Criticism of Visual and Aural Works
  2. G. Thomas Tanselle
  3. pp. 1-37
  4. DOI: https://doi.org/10.1353/sib.0.0008
  5. restricted access
  1. Martin Boghardt: A Memoir
  2. Paul Needham
  3. pp. 39-62
  4. DOI: https://doi.org/10.1353/sib.0.0000
  5. restricted access
  1. Verses in Sermons Again: The Case of Cambridge, Jesus College, MS Q.A.13
  2. Ralph Hanna
  3. pp. 63-83
  4. DOI: https://doi.org/10.1353/sib.0.0004
  5. restricted access
  1. Royal-Paper Copies of Aldine Editions, 1494–1550
  2. Conor Fahy
  3. pp. 85-113
  4. DOI: https://doi.org/10.1353/sib.0.0010
  5. restricted access
  1. Printing The Faerie Queene in 1590
  2. Andrew Zurcher
  3. pp. 115-150
  4. DOI: https://doi.org/10.1353/sib.0.0005
  5. restricted access
  1. The Shakespearian Pavier Quartos Revisited
  2. R. Carter Hailey
  3. pp. 151-195
  4. DOI: https://doi.org/10.1353/sib.0.0007
  5. restricted access
  1. Mary Astell’s Work Toward a New Edition of A Serious Proposal to the Ladies, Part II
  2. E. Derek Taylor
  3. pp. 197-232
  4. DOI: https://doi.org/10.1353/sib.0.0003
  5. restricted access
  1. Henry Fielding in China
  2. Jiaming Han
  3. pp. 233-241
  4. DOI: https://doi.org/10.1353/sib.0.0006
  5. restricted access
  1. When Book History Neglects Bibliography: Trouble with the “Old Canon” in The Reading Nation
  2. Thomas F. Bonnell
  3. pp. 243-261
  4. DOI: https://doi.org/10.1353/sib.0.0002
  5. restricted access
  1. Authors of the Mind: Some Notes on the QSUM Attribution Theory
  2. Stephen Karian
  3. pp. 263-286
  4. DOI: https://doi.org/10.1353/sib.0.0011
  5. restricted access
  1. “Telling it Unabridged”: Graham Swift’s Revision of Waterland
  2. David Leon Higdon, Russell (Rusty) Reed
  3. pp. 287-298
  4. DOI: https://doi.org/10.1353/sib.0.0009
  5. restricted access
  1. Notes on Contributors
  3. pp. 299-300
  4. DOI: https://doi.org/10.1353/sib.0.0001
  5. restricted access

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