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Table of Contents

  1. "Striking Stereopticon Views": Edith Wharton's "Bunner Sisters" and Nineteenth-Century Magic Lantern Entertainment
  2. Yair Solan
  3. pp. 135-150
  4. DOI: https://doi.org/10.1353/san.2012.0019
  5. restricted access
  1. "Fighting Against the Earth Itself": Sadism, Epistemophilia, and the Nature of Market Capitalism in Frank Norris's The Pit
  2. Adam H. Wood
  3. pp. 151-175
  4. DOI: https://doi.org/10.1353/san.2012.0011
  5. restricted access
  1. Fictionalizing Jack London: Charmian London and Rose Wilder Lane as Biographers
  2. Donna M. Campbell
  3. pp. 176-192
  4. DOI: https://doi.org/10.1353/san.2012.0012
  5. restricted access
  1. Dorothy Dudley's Forgotten Frontiers: Dreiser and the Land of the Free
  2. Donald Pizer
  3. pp. 193-206
  4. DOI: https://doi.org/10.1353/san.2012.0013
  5. restricted access
  1. The Trap Sinister in William Carpenter's The Wooden Nickel
  2. Wayne W. Westbrook
  3. pp. 207-227
  4. DOI: https://doi.org/10.1353/san.2012.0014
  5. restricted access
  1. Literary Naturalism and Its Transformations: The Western, American Neo-realism, Noir, and Postmodern Reformation
  2. Richard Lehan
  3. pp. 228-245
  4. DOI: https://doi.org/10.1353/san.2012.0016
  5. restricted access
  1. The Oxford Handbook of American Literary Naturalism ed. by Keith Newlin (review)
  2. Renate von Bardeleben
  3. pp. 246-257
  4. DOI: https://doi.org/10.1353/san.2012.0018
  5. restricted access
  1. The Robert H. Elias Essay Prize
  3. p. vii
  4. DOI: https://doi.org/10.1353/san.2012.0017
  5. restricted access
  1. Contributors
  3. pp. 258-259
  4. DOI: https://doi.org/10.1353/san.2012.0015
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