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Table of Contents

  1. Front Porch
  2. Harry L. Watson
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/scu.0.0066
  5. restricted access
  1. The Devil and his Blues: James “Son Ford” Thomas
  2. William R. Ferris
  3. pp. 5-20
  4. DOI: https://doi.org/10.1353/scu.0.0069
  5. restricted access
  1. Southern Jazz Musicians
  2. Charles Joyner
  3. pp. 21-23
  4. DOI: https://doi.org/10.1353/scu.0.0071
  5. restricted access
  1. “When I Say Get It”: A Brief History of the Boogie
  2. Burgin Mathews
  3. pp. 24-52
  4. DOI: https://doi.org/10.1353/scu.0.0073
  5. restricted access
  1. Blues Power in the Tuscarora Homeland: The Music of Pura Fé
  2. John W. Troutman
  3. pp. 53-69
  4. DOI: https://doi.org/10.1353/scu.0.0061
  5. restricted access
  1. Country Music Stars
  2. Jocelyn R. Neal
  3. pp. 70-74
  4. DOI: https://doi.org/10.1353/scu.0.0063
  5. restricted access
  1. Winston-Salem Blues: Captain Luke, Macavine Hayes, and Whistlin’ Britches
  2. Joanna Welborn
  3. pp. 75-80
  4. DOI: https://doi.org/10.1353/scu.0.0065
  5. restricted access
  1. Mill Mother’s Lament: Ella May Wiggins and the Gastonia Textile Strike of 1929
  2. Patrick Huber
  3. pp. 81-110
  4. DOI: https://doi.org/10.1353/scu.0.0068
  5. restricted access
  1. Blues Greats
  2. William R. Ferris
  3. pp. 111-114
  4. DOI: https://doi.org/10.1353/scu.0.0070
  5. restricted access
  1. Haunting America: Emmett Till in Music and Song
  2. Philip C. Kolin
  3. pp. 115-138
  4. DOI: https://doi.org/10.1353/scu.0.0072
  5. restricted access
  1. Legend
  2. Al Maginnes
  3. pp. 139-140
  4. DOI: https://doi.org/10.1353/scu.0.0074
  5. restricted access
  1. Southern Rockers
  2. Joshua Guthman
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/scu.0.0062
  5. restricted access
  1. About the Contributors
  3. p. 144
  4. DOI: https://doi.org/10.1353/scu.0.0064
  5. restricted access
  1. Cool-Water Music: Liner Notes
  2. Joshua Guthman
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/scu.0.0067
  5. restricted access