In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Thomas P. Cartelli is Professor of English and Film Studies at Muhlenberg College. He is the author of Repositioning Shakespeare: National Formations, Postcolonial Appropriations (1999) and more recently coauthor (with Katherine Rowe) of New Wave Shakespeare on Screen (2007). His current work on the Wooster Group / RSC collaboration forms part of a book-length project on experimental Shakespeare in theory and practice.

Alison A. Chapman is Associate Professor of English Renaissance Literature at the University of Alabama at Birmingham. She has explored questions of time and temporality in articles published in Renaissance Quarterly, the Journal for Medieval and Early Modern Studies, and SEL: Studies in English Literature 1500-1900 and in her recent book, Patrons and Patron Saints in Early Modern English Literature (2012).

Frank Nicholas Clary, Professor of English at Saint Michael's College, Vermont, is a member of the New Variorum Hamlet editorial team. He is also Coordinating Editor for the hamletworks.org web site.

Angus Fletcher is an Assistant Professor of Critical Studies at the University of Southern California. He has published in New Literary History and has essays forthcoming in Critical Inquiry and Frontiers: A Journal of Women Studies. His book, Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection, was published in 2011.

Mary Floyd-Wilson teaches at the University of North Carolina at Chapel Hill. She is the author of English Ethnicity and Race in Early Modern Drama (2003) and Occult Knowledge, Science, and Gender on the Shakespearean Stage (forthcoming, 2013).

Jeffrey Paxton Hehmeyer recently received his PhD from the University of California at Santa Barbara. He specializes in sixteenth-century poetry and the intersection of authorship, voice, and gender. His dissertation explored the use of female personae by male poets. [End Page 263]

Alan Lopez works on Shakespeare and early modern drama. He is presently at work on two projects on time's relation to law and religion in Shakespeare, one on his comedies and the other on his tragedies.

Edward Reiss lives in West Yorkshire, England. He is the author of The Strategic Defense Initiative (1992) and a book of poetry, Your Sort (2011).

Emma Smith is Fellow and Tutor in English at Hertford College, University of Oxford. She is currently working on a history of the First Folio.

Goran Stanivukovic is Professor of English Literature at Saint Mary's University in Halifax, Nova Scotia. He is currently researching a book on rhetorical and visual framings of style in Shakespeare's earliest works.

William N. West is Associate Professor of English and Comparative Literary Studies and a member of the Classics faculty at Northwestern University. He is working on a book about understanding and confusion in the early modern playhouses.

Beginning in August 2013, Jay Zysk will be Assistant Professor of English at the University of South Florida. He has published on such topics as religion and English drama, human and nonhuman relations, early modern embodiment, and humanist poetics. He is currently completing a book exploring the connections between Eucharistic theology and semiotic theory in English drama from the Middle Ages to the Restoration. [End Page 264]

...

pdf

Share