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Table of Contents

  1. Shakespeare's Richard II, the Play of 7 February 1601, and the Essex Rising
  2. Paul E. J. Hammer
  3. pp. 1-35
  4. DOI: https://doi.org/10.1353/shq.2008.0005
  5. restricted access
  1. "Noises, / Sounds, and sweet airs": The Burden of Shakespeare's Tempest
  2. Michael Neill
  3. pp. 36-59
  4. DOI: https://doi.org/10.1353/shq.2008.0000
  5. restricted access
  1. From Britannia to England: Cymbeline and the Beginning of Nations
  2. Andrew Escobedo
  3. pp. 60-87
  4. DOI: https://doi.org/10.1353/shq.2008.0015
  5. restricted access
  1. Shakespeare the Thinker (review)
  2. R. A. Foakes
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/shq.2008.0001
  5. restricted access
  1. A Companion to Shakespeare's Sonnets (review)
  2. John Roe
  3. pp. 90-93
  4. DOI: https://doi.org/10.1353/shq.2008.0002
  5. restricted access
  1. Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's Artistry (review)
  2. Goran V. Stanivukovic
  3. pp. 93-96
  4. DOI: https://doi.org/10.1353/shq.2008.0007
  5. restricted access
  1. Texts and Traditions: Religion in Shakespeare 1592–1604 (review)
  2. Darryl J. Gless
  3. pp. 96-98
  4. DOI: https://doi.org/10.1353/shq.2008.0003
  5. restricted access
  1. Shakespeare's Entrails: Belief, Scepticism and the Interior of the Body (review)
  2. Ben Saunders
  3. pp. 98-101
  4. DOI: https://doi.org/10.1353/shq.2008.0004
  5. restricted access
  1. Shakespeare and the Practice of Physic: Medical Narratives on the Early Modern English Stage (review)
  2. Barbara Howard Traister
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/shq.2008.0013
  5. restricted access
  1. Playing Spaces in Early Women's Drama (review)
  2. C. Edward McGee
  3. pp. 103-106
  4. DOI: https://doi.org/10.1353/shq.2008.0014
  5. restricted access
  1. The Figure of the Crowd in Early Modern London: The City and Its Double (review)
  2. James Kuzner
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/shq.2008.0008
  5. restricted access
  1. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction (review)
  2. Lawrence Danson
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/shq.2008.0009
  5. restricted access
  1. Shakespeare in Performance: The "Henry VI" Plays (review)
  2. Michael Manheim
  3. pp. 111-115
  4. DOI: https://doi.org/10.1353/shq.2008.0011
  5. restricted access
  1. Filming Shakespeare in the Global Marketplace (review)
  2. Lisa S. Starks
  3. pp. 115-117
  4. DOI: https://doi.org/10.1353/shq.2008.0010
  5. restricted access
  1. The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner (review)
  2. Alan C. Dessen
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/shq.2008.0012
  5. restricted access
  1. Contributors
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/shq.2008.0006
  5. restricted access