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Table of Contents

  1. Spring 2015
  3. p. 1
  4. DOI: https://doi.org/10.1353/sew.2015.0015
  5. restricted access
  1. The Genius of the Place
  2. Brendan Galvin
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/sew.2015.0026
  5. restricted access
  1. Imaginary Gardens
  2. Billy Collins
  3. pp. 6-8
  4. DOI: https://doi.org/10.1353/sew.2015.0001
  5. restricted access
  1. Greenwich Mean
  2. William Logan
  3. pp. 9-19
  4. DOI: https://doi.org/10.1353/sew.2015.0006
  5. restricted access
  1. Sovereign Secrets
  2. Dana Gioia
  3. pp. 20-22
  4. DOI: https://doi.org/10.1353/sew.2015.0011
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  1. Goya’s Prints
  2. Francis Blessington
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/sew.2015.0016
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  1. Orbiting
  2. Jean Hollander
  3. pp. 25-27
  4. DOI: https://doi.org/10.1353/sew.2015.0020
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  1. And the World Stays
  2. Patricia Hooper
  3. pp. 28-32
  4. DOI: https://doi.org/10.1353/sew.2015.0024
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  1. In Time and Space
  2. Warren Leamon
  3. pp. 33-36
  4. DOI: https://doi.org/10.1353/sew.2015.0028
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  1. Lines for John Berryman
  2. George Monteiro
  3. pp. 37-45
  4. DOI: https://doi.org/10.1353/sew.2015.0004
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  1. Apertures
  2. Wyatt Prunty
  3. pp. 46-47
  4. DOI: https://doi.org/10.1353/sew.2015.0009
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  1. The Landscape of Poetry
  2. Timothy Riordan
  3. pp. 48-50
  4. DOI: https://doi.org/10.1353/sew.2015.0014
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  1. Tangents
  2. Deborah Warren
  3. pp. 51-53
  4. DOI: https://doi.org/10.1353/sew.2015.0019
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  1. Ordinary Beauty
  2. William Wenthe
  3. pp. 54-58
  4. DOI: https://doi.org/10.1353/sew.2015.0023
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  1. Corruption of the Body
  2. Kathleen Ford
  3. pp. 59-74
  4. DOI: https://doi.org/10.1353/sew.2015.0027
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  1. Jungle
  2. Gladys Swan
  3. pp. 75-88
  4. DOI: https://doi.org/10.1353/sew.2015.0002
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  1. The Poetic Energy of the Trivium
  2. Frederick Turner
  3. pp. 89-101
  4. DOI: https://doi.org/10.1353/sew.2015.0007
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  1. “The Artifice of Eternity”—Reading Yeats
  2. Denis Corish
  3. pp. 102-117
  4. DOI: https://doi.org/10.1353/sew.2015.0012
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  1. Wordsworth’s Epic Imagination
  2. Robert Crossley
  3. pp. 118-132
  4. DOI: https://doi.org/10.1353/sew.2015.0017
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  1. The Inner Exile of Dana Gioia
  2. David Mason
  3. pp. 133-146
  4. DOI: https://doi.org/10.1353/sew.2015.0021
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  1. “Rich Refusals”: Donald Justice and the New Critics
  2. Ryan Wilson
  3. pp. 147-159
  4. DOI: https://doi.org/10.1353/sew.2015.0025
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  1. We Are the Stuff Dreams Are Made on Notes on John Berryman’s Broken Humor
  2. Thomas Jennings McLaughlin
  3. pp. 159-167
  4. DOI: https://doi.org/10.1353/sew.2015.0000
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  1. His Instrument, His Church, His Friends and Lovers: Tate, 1957–58
  2. Robert Buffington
  3. pp. 168-181
  4. DOI: https://doi.org/10.1353/sew.2015.0005
  5. restricted access
  1. Instantaneous and Eternal: Wendell Berry’s Sabbath Poems
  2. Marc Hudson
  3. pp. 182-191
  4. DOI: https://doi.org/10.1353/sew.2015.0010
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  1. Glory and Gloom
  2. Peter Makuck
  3. pp. i-ii
  4. DOI: https://doi.org/10.1353/sew.2015.0003
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  1. A Life of Letters
  2. George Core
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/sew.2015.0008
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  1. Serio-Comic Poetic Antique Collecting
  2. Kevin Gardner
  3. pp. iv-vi
  4. DOI: https://doi.org/10.1353/sew.2015.0013
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  1. Re-Creating Bach’s Music and Life
  2. Robert Miles
  3. pp. vi-viii
  4. DOI: https://doi.org/10.1353/sew.2015.0018
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  1. Contributors
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/sew.2015.0022
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