Abstract

This essay uncovers rhetorical processes devoted to rehumanizing the enemy Other as an antidote to the virulent rhetoric of war. With an eye toward disrupting a problematic process of national identity construction based on othering and dehumanization, this essay examines Jarhead as a case study that challenges current ideologies of soldiers and their enemies. Using Kenneth Burke's concept of consubstantiality and Linda Hutcheon's discussion of reflective oscillation, this essay examines Jarhead as a case of rhetoric working to rehumanize enemies, thus providing an example of how film can work against war culture.

pdf