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Table of Contents

  1. Theater and the Rites of "Post-Negritude" Remembering
  2. Femi Osofisan
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/ral.2005.0084
  5. restricted access
  1. Prose-Poem-Drama: "Proemdra"--"Black Aesthetics" versus "White Aesthetics" in South Africa
  2. Horst Zander
  3. pp. 12-33
  4. DOI: https://doi.org/10.1353/ral.2005.0103
  5. restricted access
  1. From Shakais Court to the Trade Union Rally: Praises in a Usable Past
  2. Michael Chapman
  3. pp. 34-43
  4. DOI: https://doi.org/10.1353/ral.2005.0087
  5. restricted access
  1. Nani Alionja Nini? Who Had a Taste of What? A Sociopolitical Interpretation of Farouk Topanis Play Aliyeonja Pepo ("A Taste of Heaven"), Dar es Salaam, 1973
  2. Klazien Kruisheer
  3. pp. 44-57
  4. DOI: https://doi.org/10.1353/ral.2005.0093
  5. restricted access
  1. A Rhetorical Study of Kiswahili Classical Poetry: An Investigation into the Nature and Role of Repetition
  2. K. W. Wamitila
  3. pp. 58-73
  4. DOI: https://doi.org/10.1353/ral.2005.0102
  5. restricted access
  1. Postproverbials in Yoruba Culture: A Playful Blasphemy
  2. Remi Raji
  3. pp. 74-82
  4. DOI: https://doi.org/10.1353/ral.2005.0097
  5. restricted access
  1. A Poetic Structure in Hausa Proverbs
  2. Tae-Sang Jang
  3. pp. 83-115
  4. DOI: https://doi.org/10.1353/ral.2005.0101
  5. restricted access
  1. Gender-Role Perceptions in the Akan Folktale
  2. Naana Jane Opoku-Agyemang
  3. pp. 116-139
  4. DOI: https://doi.org/10.1353/ral.2005.0082
  5. restricted access
  1. The Idea of Democracy in African Tales
  2. Joseph Dong'aroga, M Kamga
  3. pp. 140-153
  4. DOI: https://doi.org/10.2979/ral.1999.30.1.140
  5. restricted access
  1. Versions and Inversions: Mau Mau in Kahigais Dedan Kimathi: The Real Story
  2. Peter Simatei
  3. pp. 154-161
  4. DOI: https://doi.org/10.1353/ral.2005.0100
  5. restricted access
  1. A Conversation with Ngugi wa Thiongio
  2. Ngũgĩ wa Thiongʼo, 1938-, D Venkat Rao
  3. pp. 162-168
  4. DOI: https://doi.org/10.1353/ral.2005.0098
  5. restricted access
  1. The Development of Lusophone Africais Literary Magazines
  2. George Alao
  3. pp. 169-183
  4. DOI: https://doi.org/10.1353/ral.2005.0083
  5. restricted access
  1. Engendering Racism: History and History Teachers in English Schools
  2. Marika Sherwood
  3. pp. 184-203
  4. DOI: https://doi.org/10.2979/ral.1999.30.1.184
  5. restricted access
  1. Stephen Arnold Declared "Friend of Africa"
  2. George Lang
  3. pp. 204-206
  4. DOI: https://doi.org/10.1353/ral.2005.0094
  5. restricted access
  1. Opening Southern African Studies Post-Apartheid
  2. Stephen Gray
  3. pp. 207-215
  4. DOI: https://doi.org/10.2979/ral.1999.30.1.207
  5. restricted access
  1. Oruku Tindi Tindi : Museums and the Pseudo-Aesthethics of Primitivism
  2. Moyosore B. Okediji
  3. pp. 216-232
  4. DOI: https://doi.org/10.1353/ral.2005.0096
  5. restricted access
  1. The Politics of Home: Postcolonial Relocations and Twentieth-Century Fiction (review)
  2. Adele King
  3. pp. 233-235
  4. DOI: https://doi.org/10.1353/ral.2005.0092
  5. restricted access
  1. Poetics of Relation (review)
  2. Bernadette Cailler
  3. pp. 235-237
  4. DOI: https://doi.org/10.1353/ral.2005.0086
  5. restricted access
  1. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity, and: With Open Eyes: Women and African Cinema (review)
  2. Judith Mayne
  3. pp. 238-240
  4. DOI: https://doi.org/10.1353/ral.2005.0095
  5. restricted access
  1. Forum
  2. Paschal B. Kyiiripuo Kyoore
  3. p. 241
  4. DOI: https://doi.org/10.1353/ral.2005.0089
  5. restricted access
  1. Announcements
  3. p. 242
  4. DOI: https://doi.org/10.1353/ral.2005.0081
  5. restricted access
  1. Notes on Contributors
  3. pp. 243-244
  4. DOI: https://doi.org/10.1353/ral.2005.0088
  5. restricted access
  1. Guidelines for Contributors
  3. pp. 245-246
  4. DOI: https://doi.org/10.1353/ral.2005.0091
  5. restricted access