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  • Electric Nativity, and: A New Way of Thinking about Space, and: Quotes from the Papers, and: Last Call, and: First Mystery of My Sister
  • Beth Bachmann (bio)

Electric Nativity

Because you are the husband, it is your job to slip your handunder Mary's skirt, up to the elbow as into a goat,searching for the burned out bulb at the back of her throat.

She's lost her after-birth-glow and is lying on her sideswapping wires with one of the shepherds. Already,her womb wants another child, a sister. [End Page 79]

Joseph's on his knees, with his fingers crossed, sizing upthe boy who does not have his eyes or his mouth,only her body, her blood.

A New Way of Thinking about Space

In Giotto's cross we see for the first time    the weight of the body    pulling against the wood.

This is the moment after the accusation    of the father, when    the effects of gravity

take over. It's a break with the past,    a refusal to stylize    the holy, an opening

of the plane.

Quotes from the Papers

My mother's making the man    -dirty, disheveled

in the doorway-a sandwich, turkey    on white, quartered, [End Page 80]

when he says:    There's a lot of places to hide a body.

He lingers at the entrance,    beneath the three kings

holiday card taped at the keystone.    The star, the angel

says, look to the east: check the train yard.

Last Call

Come get me.    A father in his pajamas,        a daughter on the end of the line calling            for a pick up.

A father in his pajamas,    in his stick-shift, switches gears;        the pick up            pulls up to the train station.

His stick-shift switches gears.    She's not there; he        pulls up to the train station            bar, the cigarette machine, payphone.

She's not there; he    drops some change        at the bar, the cigarette machine, payphone.            In the freight yard, a body [End Page 81]

drops. Some change    crosses over a face        in the freight yard. A body's            last words

cross over a face:    a daughter at the end of the line calling        her last words,            come get me.

First Mystery of My Sister

He unleashed the dog and waited, plastic bag in hand.Sparky barked, nosed along the tracks

into the no-man's property between station, line and road.Commuters numbed against the windows watched the nodding    thistle

shiver as the 6:42 lunged toward the city. Overgrowth, long    fingersof grass, the bud of a dull tattoo-what remains-

her tagged body,the dog at dawn sniffing a greening rose. [End Page 82]

Beth Bachmann

Beth Bachmann's poems have recently appeared in the Southern Review, the Antioch Review, Image, and elsewhere.

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