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In this Issue

Table of Contents

  1. The Palimpsest Body and the S(h)ifting Border: On Maggie Cheung’s Two Crossover Films
  2. Yiman Wang
  3. pp. 953-981
  4. restricted access
  1. The Suppressed in the Modern Urbanscape: Cultural Difference and Film in Singapore
  2. C. J. W.-L. Wee
  3. pp. 983-1007
  4. restricted access
  1. A Unique Tradition of Materialism in Japan: Osugi Sakae, Tosaka Jun, and Uno Kozo
  2. Katsuhiko Endo (featuring Gilles Deleuze, Harry Harootunian, and the Women with No Name on the Street)
  3. pp. 1009-1039
  4. restricted access
  1. Oriental Purity: Postcolonial Discomfort and Asian Values
  2. Daniel P. S. Goh
  3. pp. 1041-1066
  4. restricted access
  1. The Modern Girl and the Vamp: Hollywood Film in Tanizaki Jun’ichirô’s Early Novels
  2. Deborah Shamoon
  3. pp. 1067-1093
  4. restricted access
  1. The Horrific and the Exemplary: Public Stories and Education Reform in Late Socialist China
  2. Teresa Kuan
  3. pp. 1095-1125
  4. restricted access
  1. The Avant-Garde Is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre
  2. Rossella Ferrari
  3. pp. 1127-1157
  4. restricted access
  1. Imagining Irreconcilability: Cultural Differentiation through Human-Animal Relations in Late Qing Shanghai
  2. Mark Swislocki
  3. pp. 1159-1189
  4. restricted access
  1. Strange Nuptials: Matthew Barney’s Japan in Drawing Restraint 9
  2. Nancy Stalker
  3. pp. 1191-1213
  4. restricted access
  1. Editor’s Introduction
  2. Tani Barlow
  3. pp. 947-952
  4. restricted access
  1. Contributors
  3. pp. 1215-1216
  4. restricted access